Fair Game
November 19, 2010 by Kiko Martinez
Filed under Reviews
Starring: Naomi Watts, Sean Penn, David Andrews
Directed by: Doug Liman (“Mr. and Mrs. Smith”)
Written by: Jez Butterworth (“The Last Legion”) and John-Henry Butterworth (debut)
Moviegoers on the more conservative side of the aisle might snicker when they hear others call “Fair Game” a fact-based political controversy about former CIA operative Valerie Plame, the internal leak ending her career in the agency, and the grand jury investigation that followed, but the film is compelling, thought-provoking cinema nonetheless.
For those who believe Plame’s memoir “Fair Game: My Life as a Spy, My Betrayal by the White House,” from which the screenplay is adapted (along with her husband Joe’s book “The Politics of Truth”), “Fair Game” just might a maddening experience when you piece the narrative together.
“Fair Game,” directed by Doug Liman (“Mr. and Mrs. Smith”), tells the story of Plame, whose identity as a member of the CIA is printed in a 2003 article of the Washington Post. Added to this disclosure of top secret information is the supposed reason behind it. Plame’s husband, Ambassador Joe Wilson (Sean Penn), who was sent to Africa to investigate a possible nuclear weapons deal between Niger and Iraq but found no evidence of such, wrote an op-ed piece in the New York Times degrading the George W. Bush Administration for invading Iraq and using the intelligence he gathered (in this case proved false) on his trip as a component of the motive for the attack.
Again, “Fair Game” is from one point of view, so depending on your politics (and depending if you judge a film based on those politics) the film might feel as fictional as a fairytale. Leave the politics off the table, however, and you’ll find an intelligent, well-written and sometimes heavy-handed account of the events that may or may not have taken place.
Aside from what went on inside the White House, “Fair Game” also examines the personal life of Plame and Wilson as their marriage is tested and professional careers are dragged through the mud during the ordeal. These elements of the film give a nice balance between the ugliness of the political world and what a controversy like this can actually do to a family.
Jumper
February 15, 2008 by Kiko Martinez
Filed under Reviews
Starring: Hayden Christensen, Jaime Bell, Rachel Bilson
Directed by: Doug Liman (“Mr. and Mrs. Smith”)
Written by: David S. Goyer (“Blade”), Jim Uhls (“Fight Club”), Simon Kinberg (“X-Men: The Last Stand”)
Imagine not having to sit in bumper-to-bumper traffic, being able to wake up five minutes before an important meeting on the other side of town and getting there on time, or traveling anywhere in the world without ever buying a plane ticket. With the power of teleportation, you could do all of that and more. That’s exactly what David Rice (Christensen) does in the new slick-looking but prosaic action flick “Jumper.”
During a near-death experience, David’s life is spared when he somehow teleports away from danger and to another location. With his new-found talent to travel beyond space and time – and because he is unhappy at home with his verbally abusive father – he decides he can survive on his own by “borrowing” a few bucks from the bank and getting his own place. Hey, if you could move in and out of anywhere without opening a door, wouldn’t you visit a vault?
Flash-forward eight years and David has perfected his skill to teleport across the world. From having lunch on top of the Sphinx in Egypt to surfing the biggest waves in Fiji, David can do anything he wants with the power that has been granted to him. His trouble-free life, however, is interrupted when he finds out he is being hunted by a man whose soul purpose in life is to kill “Jumpers” like himself.
Roland (Jackson), who has been searching for David ever since he heard about his first bank robbery, is part of a unit of hunters known as Paladins. Unbeknownst to David, Jumper and Paladins are at war with each other and have been for thousands of years. Call it jealously or call it their mission, Paladins hate Jumpers because they feel no one should have the gift Jumpers do except God.
Now on the run, David returns home and visits his childhood crush (Bilson), who he strikes up a relationship with again by wooing her with weekend trips to Rome. The script is at its weakest here as David is never questioned about where he has been for the last eight years. Everyone thought he was dead, but who cares now? When you have an endless supply of money and can charm a girl by flying her out to the most extravagant cities, you can get around just about anything.
Excessive on the special effects but sputtering tremendously on the storyline, “Jumper” is illogical and a poor attempt at science fiction. Where the movie could have found its appeal was through David’s actual leaps through wormholes and dimensions. Instead, it becomes a drawn-out chase scene with far too many plot holes and flimsy characters.




