“Of course you can teach an old dog new tricks,” Guzman, 53, told me during a phone conference to promote his cameo role in the new comedy “Old Dogs,” which stars John Travolta and Robin Williams.“Sometimes you just come across a situation and you learn from it – you’re wowed by it.”

In the film, Travolta and Williams play Charlie and Dan, lifelong best friends and business partners whose lives are turned upside down when they agree to look after 7-year-old twins during the busiest week of their professional careers. Guzman, alongside comedian Dax Shepard (“Baby Mama”), plays an employee of a home safety company hired to childproof Charlie’s apartment when Dan brings the kids to stay over. Along with childproofing the home, Guzman’s character takes it upon himself to eat whatever he finds in the kitchen.

Known for his scene-stealing skills, Guzman had another cameo role last year in the Jim Carrey comedy “Yes Man” where he played a troubled man threatening to jump from a ledge. In the funniest part of the entire movie, Guzman and Carrey sing a duet to the Third Eye Blind song “Jumper.”

Along with his roles in a number of comedies, including “Anger Management” and “Nothing Like the Holidays,” Guzman, who has been in the industry for over 30 years, has starring in such dramatic films as “Traffic,” “Runaway Jury,” and “Dreamer: Inspired by a True Story.”

Currently, Guzman, who was born in Puerto Rico, is working on “How to Make it in America,” an HBO show that follows two Brooklyn hustlers trying to achieve the American Dream in the New York fashion scene.

What was it like working with Dax Shepard in your scenes for “Old Dogs?”

I loved working with Dax. I think we have a really good chemistry together. I thought he brought a lot to the table. I think we did a good job complimenting each other. He’s one of those guys that I hope I get to work with again. I just really dig his sense of humor. It works for him.

Tell us about your upcoming HBO show “How to Make it in America.”

I play this guy named Rene who happens to live in the neighborhood I grew up in. Rene is a hustler. He’s a guy who’s been through a lot. He’s been to jail. He finally comes out and is trying to make his life better. But hustling is all he’s ever known. It’s a great story.

You were mentioned on an episode of the NBC comedy “Community” where they erected a statue in your honor on the college campus. Did they call you up for that and ask permission?

That was [director] Joe Russo. I did a movie with him called “Welcome to Collinwood.” They called me up about it. For me, for someone to do this, I thought it was an absolute honor and was flattered by it. It’s cool when people ask you to do stuff like that.

You’ve been in this industry for over 30 years. I’m guessing you’ve already gotten to that point where you can pass on certain projects. Can you give us an example of a role that you might pass on?

I don’t want to play an abusive father or an abusive husband. I don’t want to be in something that is not significant. Sometimes people just want me in something just to have the name. I won’t do that because if it’s not something true to the storyline, then why do it? I don’t want to be exploited like that.

What are some your favorite roles that you’ve had in your career?

I loved my role in “Boogie Nights.” I thought that was a great role for me. I loved my role in “The Count of Monte Cristo” and my role as the DA agent in “Traffic.” I loved my role in a movie called “Maldeamores,” which was a small movie shot in Puerto Rico a few years ago. To be honest with you, I enjoy most of my roles.

While the number of slapstick Christmas comedies usually go off the charts this time of year as much as Santa’s cholesterol, the Christmas family dramedy is the other holiday sub-genre that usually demands screen time in December.

Last year, “This Christmas” featured an African American family reuniting for the holidays after four years. In 2005, Sarah Jessica Parker met “The Family Stone” and experienced all their dysfunctional love. This year, Christmas gets a little Latin flare Puerto Rican-style with “Nothing Like the Holidays.” The film follows the Rodriguez family from the Humboldt Park area in Chicago as they come together in what might be the final Christmas they spend together as a family.

The reason: Anna Rodriguez (Elizabeth Pena) has announced over dinner that she has decided to divorce her children’s father Edy (Alfred Molina) after 36 years of marriage. She has reason to believe he has been having an affair. No one takes the news lightly including Mauricio (John Leguizamo), one of the Rodriguez boys, who has become a successful lawyer in New York, and his sister Roxanna (Vanessa Ferlito), a struggling actress living in Los Angeles.

Freddy Rodriguez (“Grindhouse”) plays Jesse, another Rodriguez brother, back home from Iraq. He thinks his parents are adult enough to make their own decisions. His mind isn’t really focused on his mom and dad’s problems, especially since he has a handful of his own. He has returned home to find his ex-girlfriend Marissa (Melonie Diaz), whom he still loves, has moved on with her life. He is also still haunted by the death of one of his friends in the military.

It’s not only Jesse, however, who has issues. Everyone has something going on in his or her trying life and debut screenwriters Alison Swan and Rick Najera tangle it all together in a cinematic version of stale fruitcake. While storylines that focus on Jesse and his hardships give the film a more serious tone than your average family head-butting session, there’s not much time to build on his character since the script seems sculpted from the blueprint of a tiresome telenovela. Instead, secondary stories like Maruicio and his wife Sarah (Debra Messing) arguing about the best time to have a baby, and issues that revolve around Ozzy (Jay Hernandez), a family friend and ex-gang member who is bothered that the guy who killed his brother years ago has been released from prison and is now hanging out in the old neighborhood.

The scene-stealer of the film is Luis Guzman (“Waiting”), who plays the family’s kooky electronics-loving uncle, but he and Freddy Rodriguez (one of the most talented young Latino actors working today) can’t raise the film above the usual stereotypical family dramedy we get every year. It might be in different packaging this time around, but a pair of socks is a pair of socks no matter how colorful the gift-wrapping.