Starring: Russell Crowe, Ben Affleck, Rachel McAdams
Directed by: Kevin McDonald (“The Last King of Scotland”)
Written by: Matthew Michael Carnahan (“Lions for Lambs”), Tony Gilroy (“Michael Clayton”), Billy Ray (“Breach”)
There will never be another newspaper film like “State of Play.”
While it might be a bit extreme to say Russell Crowe and Rachel McAdams are on the same tier as Dustin Hoffman and Robert Redford’s Woodward and Bernstein in the 1976 media epic “All the President’s Men,” no one has ever come as close to capturing the true meaning of investigative journalism in the print media. Even with some sensationalism thrown in for flavor, “State of Play” is smartly done.
For the generation who like their news in short blurbs written by bloggers who use Wikipedia as their main source, this definitely won’t resonate with you. For those who still value the art of in-depth reporting and the way an actual newspaper still feels between your fingertips, “State of Play” is as tightly written as a front-page story grinded out on an unapologetic deadline by a veteran reporter.
Based on a 2003 British TV miniseries of the same name, “State of Play” follows old-school Washington D.C. scribe Cal McAffrey (Crowe) in the middle of a political scandal that slowly reels him personally and professionally. The mistress of his old college friend, Congressman Stephen Collins (Ben Affleck), has died of an apparent suicide, but with some exceptional fact digging, Cal uncovers other circumstances that could prove to be damaging to some governmental bigwigs and to himself on an ethical level.
There to pick up the slack as their scowling editor (Helen Mirren) keeps a sharp eye on her staff is internet reporter Della Frye (McAdams), whose blogging abilities are just impressive enough to provoke Cal’s traditional stance on his lifelong career. “I’m just trying to help you get a few facts in the mix the next time you upchuck online.”
Still, a little new blood never hurt anyone especially with someone as hungry for a newsworthy story as Della. Crowe and McAdams’ chemistry blends well from the start and only strengthens as the political thriller dashes in and out of some sharp turns and detailed storytelling. It’s easily the best newspaper movie since 2003 “Shattered Glass” and the most intelligent film to be released in the first third of the year.