March 11, 2011 by  

White Material


White Material

Maria Vial (Isabelle Huppert) stands alone on a dirt road as her adopted country and life fall apart in "White Material."

Starring: Isabelle Huppert, Christopher Lambert, Nicolas Duvauchelle
Directed by: Claire Denis (“35 Shots of Rum”)
Written by: Claire Denis (“35 Shots of Rum”) and Marie N’Diaye (debut)

Dressed in a light pink frock and standing on a dusty road in an unnamed African country, Maria Vial (Isabelle Huppert), the central character in the French art-house film “White Material,” appears spellbound by the changes happening in a world she once thought of as her home.

Maria, who lives with her family on their failing coffee plantation, is Caucasian with reddish-blonde hair and blue eyes. Despite her desire to blend in with her surroundings, her presence is obvious. With rebel soldiers pitted against the government militia in a civil war, the country has become increasingly dangerous for anyone to stay. Maria’s fighting spirit, however, refuses to leave even after her entire workforce abandons the crop.

“Coffee’s coffee; not worth dying for,” her foreman says before packing up his belongings and joining the mass exodus. For Maria, it’s not that easy.

Like most of her past work, French filmmaker Claire Denis, who was actually raised in a French-colonized Africa, is minimal in her delivery and focused more on the picturesque imagery and details of the landscape than she is on the finer points of the sometimes vague narrative.

Only a hint of a secondary storyline featuring a rebel hero known as The Boxer (Isaach De Bankolé) who is hiding at Maria’s plantation is shared before it’s forgotten (a metaphor for Maria’s own ambiguous political position?). Maria’s apathetic son Manuel (Nicolas Duvauchelle), too, is briefly plucked from his comfort zone before his character is engulfed by the turmoil without much explanation.

While Denis avoids concrete answers in her allegorical work, the consistently despairing tone throughout the picture is remarkable, as is Huppert’s understated and absorbing performance as a woman lost in deep-seated denial and facing an inevitable end. The hopelessness is heavy in “White Material.” Maria’s strength is unmistakable, but it would be a tough task for anyone to carry the load alone.

Grade: B+

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