Starring: Hugh Jackman, Jennifer Lawrence, James McAvoy, Michael Fassbender
Directed by: Bryan Singer (“X-Men,” “X2: X-Men United”)
Written by: Simon Kinburg (“X-Men: The Last Stand,” “Sherlock Holmes”)
In this golden age of comic book movies, the X-Men franchise is the unlikely elder statesman. Bill Clinton was still president when the first film hit theaters in 2000, for crying out loud, and since then we’ve had two different sets of Spider-Man movies, three different versions of the Hulk, and we’re working on our second go-round with both Batman and Superman. And the X-movies, with their often blatant disregard for continuity with one another, fly in the face of the clockwork-precision the current slate of Avengers-based blockbusters Marvel and Disney are pumping out. It’s no secret that Hugh Jackman’s Logan/Wolverine is the glue that holds everything together, anchoring the everything from the best (“X2”) and worst (“X-Men Origins: Wolverine”) in the series with his definitive take on the most popular X-Man. “X-Men: Days of Future Past” is no different, only this time it shrewdly sends the mutant MVP back through time to undo some of the franchise’s most glaring missteps in an adventure that ranks among the series’ strongest.
Opening in a dystopian future — and weirdly, seeming to shrug off the post-credits sequence of “The Wolverine” — “Days of Future Past” finds Logan, Professor X (Patrick Stewart), Magneto (Ian McKellan), and a small group of X-Men fighting for their lives against shape-shifting killer robots known as Sentinels. Originally meant to hunt down mutants, the Sentinels’ programming changed to include taking out mutant-sympathizing humans as well. In an effort to end the war before it begins, Professor X hatches a plan with Kitty Pride (Ellen Page) to send Logan’s consciousness back through time into his younger body. His goal is to unite the younger Charles Xavier (James McAvoy) and Erik Lesherr (Michael Fassbender) to stop Raven (Jennifer Lawrence) from assassinating Sentinel creator Dr. Bolivar Trask (Peter Dinklage), an event that set humankind on a mission to eradicate mutants from the world.
Returning to the franchise for the first time since “X2,” director Bryan Singer seems to have one goal in mind: clean up the mess the series has become. Singer and screenwriter Simon Kinburg rely heavily on the audience being familiar with most of the events in “X-Men,” “X2,” “X-Men: The Last Stand,” “X-Men Origins: Wolverine,” and the prequel “X-Men: First Class” (again, oddly, the superior “The Wolverine” is largely ignored), and the duo make a massive effort to smash all of that into a timeline that makes sense within itself (spoiler: it never does). Thinking about it too much can make your head hurt, and thankfully the film is exciting enough that you don’t need to worry about it. At this point Jackman IS Wolverine, and his performance is as badass and funny as ever. The “First Class” cast, led by Lawrence, McAvoy, Fassbender and Nicholas Hoult (as Hank McCoy/Beast) all shine as well. “Days of Future Past” ultimately serves as a giant reset button and with Singer back at the helm, the future of the franchise seems brighter than ever.