Starring: Bradley Cooper, Lady Gaga, Sam Elliott
Directed by: Bradley Cooper (debut)
Written by: Eric Roth (“The Insider”), Will Fetters (“The Best of Me”) and Bradley Cooper (debut)
Three-time Academy Award-nominated actor Bradley Cooper (“American Sniper”) makes a mostly convincing, albeit imperfect, directorial debut with “A Star Is Born,” the third reimagining of the film since the original version hit the silver screen more than 80 years ago.
In this newest reiteration, six-time Grammy-award-winning singer Lady Gaga steps into the spotlight where actresses Janet Gaynor (1937 version), Judy Garland (1954 version) and Barbara Streisand (1976 version) once stood. Gaga plays Ally, an aspiring musician swept off her feet by alcoholic rock star Jackson Maine (Cooper), who is instantaneously captivated by Ally’s talent when he sees her perform “La Vie en Rose” at a drag bar.
Witnessing Ally and Jackson courting each other during the first act of the film is when “A Star Is Born” is at its most charming and romantic. It never reaches the level of something like 2007’s Oscar-winning Irish drama “Once,” but Cooper and Gaga sell their relationship as a genuine love connection, despite its seemingly quick development.
Movie magic occurs when Jackson invites Ally onto the stage during one of his concerts to perform a duet with him. It’s unrealistic to think an original song could actually come together like that without a bit of rehearsal, but by the time Ally bravely takes the mic to sing the second verse of “Shallow” (a song co-written by Gaga, which will undoubtedly land an Oscar nod for Best Song), there’s no real reason to argue logic. The single is that good.
As soon as their relationship is established, however, the script starts losing momentum and seems to find comfort in falling into familiar territory. Again, “A Star Is Born” has a long history of remakes, so it shouldn’t be a surprise that screenwriters Eric Roth (“The Insider”), Will Fetters (“The Best of Me”) and Cooper, who is also credited as a writer, follow a conventional template. The dimming of one star and the rise of another is a formula that has worked well in the past, but Cooper is only somewhat successful in transforming it into a story that truly feels fresh.
During a scene in the final act, Jackson’s older brother Bobby (Sam Elliott) explains to Ally what Jackson’s musical philosophy is by describing music as “12 notes between any octave — 12 notes and the octave repeats” and adding that it’s up to the artist to say something significant enough inside those parameters to move listeners emotionally. In “A Star Is Born,” Cooper and Gaga have voices worth listening to, especially when they’re harmonizing in front of a crowd of thousands. We just wish the narrative mixed in a few more sharps and flats to ensure a clearly distinct sound and experience.