Starring: Nicholas Hoult, Elanor Tomlinson, Stanley Tucci
Directed by: Bryan Singer (“X-Men”)
Written by: Darren Lemke (“Shrek Forever After”), Christopher McQuarrie (“Jack Reacher”) and Dan Studney (debut)
Based on the fairy tales “Jack and the Beanstalk” and “Jack the Giant Killer” comes a fantasy movie from former (and future…future past?) “X-Men” director Bryan Singer. In “Jack the Giant Killer,” farmhand Jack (Nicholas Hoult) decides he must climb up a giant beanstalk in order to save Isabelle, (Elanor Tomlinson) a princess who has been kidnapped and is trapped at the top. When Jack and the team of the King’s men reach the top of the beanstalk, a group of newly awakened giants await.
Though the acting in the film isn’t bad, it is certainly nothing to write home about either. For better or worse, everyone in the film plays everything relatively straight, so you get actual effortful performances from acting veterans like Ewan McGregor and Ian McShane. The same goes for the performances from Hoult and Tomlinson as Jack and Isabelle. While neither of them are particularly good, they are adequate enough to where they aren’t trite or cheesy.
One of the things that “Jack the Giant Slayer” struggles with is finding a consistent tone. At times it seems as if the PG-13- rated film is going for a serious, adventurous tone while other times Singer takes full advantage of gross out and flatulence humor that would appeal to younger kids. Regardless of tone, the script is also a problem with lame jokes and a tendency of extended lulls in action.
“Jack the Giant Slayer” trudges through most of the first half of the film as the entertainment levels wax and wane. The final act of the film is a CGI-heavy battle sequence that finally ramps up the action and adventure levels. The effects behind the actual CGI giants are pretty good, but the noisy finish can’t quite make up for the film’s overall mediocrity.
It’s a little surprising that Warner Bros sunk $200 million into a CGI-heavy fairytale adaption with no stars in its leading roles. What makes the situation even more perplexing is spending that much on a film without a distinct tone, a strong story, a worthy script or built in audience. Too serious and dull in parts for small kids, and too juvenile and monotonous in others for older kids, tweener tone in “Giant Slayer” misses the mark on all intended audiences and will likely prove to be massive waste of cash for a studio that is struggling to find a hit in 2013.