Starring: Danny Trejo, Michelle Rodriguez, Robert De Niro
Directed by: Robert Rodriguez (“Sin City”) and Ethan Maniquis (debut)
Written by: Robert Rodriguez (“Planet Terror”) and Alvaro Rodriguez (“Shorts”)
Continuing where he left off after teasing audiences with a faux trailer in 2007’s “Grindhouse,” filmmaker Robert Rodriguez (“Sin City”) serves up a dish of entertaining mayhem and timely political satire in the form of “Machete.” It’s a contemporary exploitation flick with all the aesthetics of the hardcore vigilante films of the 70s, but with one discernable difference: This time a Mexican’s in charge.
In “Machete,” veteran actor Danny Trejo (“Con Air”) stars as the title character, a former Mexican Federale out for revenge against the men who set him up during an assassination attempt against racist politician Senator McLaughlin (Robert De Niro). The senator, who spends his free time playing border enforcer and shooting Mexicans who cross into the U.S., is betting that his idea to eradicate all illegal immigrants and erect an electrified border fence will garner enough support to win the upcoming election.
Tied to the senator is Torrez (Steven Segal, who was smart to take this role instead of embarrassing himself in “The Expendables”), a drug cartel kingpin who just happens to be the same man carrying the sword that beheaded Machete’s wife.
On the run, Machete is reeled into “Operation Network,” an underground group of activists fighting for the rights of Mexican immigrants everywhere. Led by a revolutionist known as Shé (an obvious homage to Ché Guevara), “The Network” is a complex system of justice-seekers watching out for their fellow hombres.
Michelle Rodriguez (“Avatar”) plays Luz, a taco-truck owner who may or may not be a major part of “The Network,” but takes care of her own nonetheless. Jessica Alba (“Sin City”) is Sartana, an official with the U.S. Immigration Department who is forced to choose between the law and her empathy for the cause. Precious time is wasted on a topless Lindsay Lohan (“Georgia Rule”) as April, Booth’s meth-head daughter who is on screen long enough for her to flash her breasts and dress like a nun for the final shootout.
Already labeled as a “Mexploitation” film, “Machete” doesn’t disappoint in delivering incredibly campy violence by way of swords, surgical tools, and even a customized weed whacker with a little extra cutting power. No matter what, if any, political stance the film takes, Machete himself is simply a fun character to cheer for despite his lack of real personality.
Nevermind how much disarray immigration reform is across the country, Machete has actually taught us something that can’t be learned from watching Fox News or CNN. He’s taught us about survival. He’s taught us that a man can only be pushed so far before he starts pushing (slicing in this case) back. Most importantly, he’s taught us that whoever coined the first rule of modern warfare – “never bring a knife to a gunfight” – didn’t consider what a vengeful Mexican could actually do with a bad attitude and a blade.