Starring: Kiefer Sutherland, Paula Patton, Amy Smart
Directed by: Alexandre Aja (“The Hills Have Eyes”)
Written by: Alexandre Aja (“High Tension”) and Gregory Levassure (“P2”)

If this really is the only live action film work actor Kiefer Sutherland can get while shooting his ever-popular “24” series, then it might be a good idea for him to stick to the TV show until some free time grants him more of a clear his head before jumping into one of the worst films of the year.

There’s nothing frightening or exciting about “Mirrors,” French filmmaker Alexandre Aja’s first film since grossing us out with the remake of “The Hills Have Eyes” two years ago. The only horrifying thing about the film is that Aja, who is considered to be part of the new “Splat Pack” of directors focusing on gory details to reel audiences into their bordello of blood, was actually given a paycheck by 20th Century Fox to make this.

The thoughtless story begins as ex-NYPD officer Ben Carson (Sutherland), who is put on an undetermined leave of absence after killing a man, finds work as a security guard for a gutted department story destroyed three years ago in a fire. What Ben doesn’t know is that there’s an evil presence trapped inside the mirrors of the store that causes anyone that looks at their own reflection to see things that are not there and do harm to themselves.

Soon, the dark power inside the mirrors follows Ben away from his worksite and begins to threaten his sister (Amy Smart), ex-wife (Paula Patton) and two children. The only way Ben can save his family is to research the history behind the store and find out what the entity wants before it strikes again.

“Mirrors” is unwatchable simply because of the poorly-written script by Aja and co-writer Gregory Levassure. There are unintentional moments of humor when Sutherland screams at the mirrors, “What do you want with me!” and predictable dialogue when a morgue employee makes a joke about “seven years bad luck.” That is the scope of what “Mirrors” offer. Well, that and the usual gruesome accents Aja tosses in to keep his bloodthirsty reputation on the lowest of plateaus. Good thing he cast someone like Sutherland, who knows from his 1990 film what it’s like to flatline.

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