Starring: Rebecca Hall, Catherine Keener, Oliver Platt
Directed by: Nicole Holofcener (“Friends with Money”)
Written by: Nicole Holofcener (“Friends with Money”)
Catherine Keener and Oliver Platt take advantage of other people’s misfortune in “Please Give,” a cutting, character-driven indie comedy about self-image, guilt and mortality that matches wits with recent films including Adrienne Shelly’s “Waitress” and Tamara Jenkins’ “The Savages.”
As owners of a high-end antique shop in New York City, married couple Kate (Keener) and Alex (Platt) have quite an eye for priceless old furniture, which they purchase for basement-low prices from the families of the recently deceased. Most people don’t want to worry about what to do with grandma’s armoire after she’s gone, so Kate and Alex, who certainly don’t reveal the actually value of the small treasures to the next of kin, scoop them up and make a pretty penny.
Their predatory approach to death isn’t limited to antiques. Kate and Alex are sort of waiting around for their stubborn, elderly neighbor Andra (Ann Morgan Guilbert) to kick the bucket so they can expand on their apartment. Andra’s granddaughters, the passive Rebecca (Rebecca Hall) and the all-too-blunt Mary (Amanda Peet), know the neighbors are restlessly waiting, which makes for the awkward friendship they share throughout the film.
Riddled with guilt about how they make their living, Kate tries to set her conscience at ease by giving money to the homeless people she sees on the street. Her charity is not met with support by her young daughter Abby (Sarah Steele), who isn’t happy her mother would rather give money to a stranger than buy her own insecure daughter the things she needs to feel better about herself (a $200 pair of designer jeans and pimple cream should do the trick).
While the narrative feels a bit forced at times, filmmaker Nicole Holofcener, who also made the small gems “Lovely & Amazing” and “Friends with Money,” develops the authenticity of the picture from the eccentric personalities she allows to share the screen. It’s through watching their gauche and sometimes irksome flaws clash together that makes “Please Give” such a delight.