Starring: Colin Farrell, Nicole Kidman, Barry Keoghan
Directed by: Yorgos Lanthimos (“The Lobster”)
Written by: Yorgos Lanthimos (“The Lobster”) and Efthymis Philipou (“The Lobster”)
With his 2015 film “The Lobster,” writer and director Yorgos Lanthimos established himself as a creative force. With a fascinating premise and surrealist world building, the script was nominated for an Academy Award and firmly put him on the radar of film fans yearning for something cerebral and exciting. With another great premise, Lanthimos’ “The Killing of a Sacred Deer” continues the trend of high-level creativity and firmly plants him as a true talent to watch.
As a skilled cardiologist, Dr. Steven Murphy (Colin Farrell) has a successful career, an ophthalmologist wife Anna (Nicole Kidman) and two great kids. But there is something lurking in his mostly hidden relationship with an odd, but seemingly harmless teenager named Martin (Barry Keoghan). As their relationship comes to the surface, Martin reveals earth-shattering information that may change the course of Murphy’s life, along with the rest of his family.
One of the things that Lanthimos did that made “The Lobster” easy to crack into despite its outlandish premise is create a universe in which its idiosyncrasies were the norm. Everyone talked in stilted speech with quick basic sentences and an underlying level of social awkwardness. The same technique is employed with “Sacred Deer,” which allows the film to be rooted in somewhat of an alternate universe where everyone talks differently and really strange things happen.
It’s easy to see how some audience members may confuse Farrell’s performance in both films, for example, to be simplistic and odd. In reality, Farrell is giving a fantastic performance that helps establish the setting. The revelation in this film, however, is Keoghan who gives a super creepy and darkly funny performance.
The narrative itself, while not as creative as “The Lobster,” still works pretty well as an updated take on a classic tragedy, provided you are able to buy in. It may not have a terrible amount to say metaphorically but it is well paced, features great tension and is fascinating to watch play out, even if you have an idea of where the story is going.
With the amount of by the numbers, run of the mill storytelling that happens every week at the theater, anyone doing something different is a breath of fresh air. Lanthimos clearly has a warped sense of humor and a keen eye for story telling that is absurd and fantastical while remaining intimate and grounded. “The Killing of a Sacred Deer” may not be one of the better films of the year, but its certainly one of the purest forms of an artist distilling his singular vision into a unique movie going experience.