Starring: Michael Cera, Portia Doubleday, Jean Smart
Directed by: Miguel Arteta (“The Good Girl”)
Written by: Gusten Nash (“Charlie Bartlett”)
It’s common knowledge in most Hollywood circles that when making a movie (indie or otherwise) where the script calls for a soft-spoken, insecure character with a heart of gold the actor on top of most people’s lists would be Michael Cera (followed closely by the fidgetiness and nervous rambling of Jesse Eisenberg).
While Cera’s style works rather well in most cases like in “Superbad” and “Juno,” it would still be interesting to see what he could do out of his comfort zone. How much longer will he be able to pass for a dweeby teenager anyway?
His newest comedy, “Youth in Revolt,” isn’t the breakout role some of us might be looking for, but it’s a nice transition piece that could expose him to some dimension. It’s ironic that a role like this also does the exact opposite and pigeonholes him into what we already know he’s good at.
In “Revolt,” which is adapted from the epistolary novel by C.D. Payne, Cera plays Nick Twisp, a shy high school kid who listens to Frank Sinatra and is mystified by the opposite sex. Still, he’s a sweet, old soul who wonders why “in the movies the good guy get the girl and in real life it’s the prick.”
With nothing better to do, Nick goes on a spontaneous vacation to a trailer park with his mother (Jean Smart) and her loser boyfriend Jerry (Zach Galifianakis). While there, he meets Sheeni Saunders (Portia Doubleday), the girl of his dreams who is culturally aware of all things French and would think Nick was much cooler than he really is if he’d just show a little backbone.
He gets the chance when their fling ends and both realize the only way they can be together is if they can pull off an intricate plan. Part of the mischievous plot is for Nick to get himself kicked out of his mother’s house. To do this, Nick creates an alter ego named François Dillinger (also played by Cera), a rebellious little punk with a pencil-thin mustache, blue eyes, and sharp tongue. Basically, François is the man Nick wishes he was because he’s the type of guy Sheeni could go for without hesitation. François, however, become more trouble than anticipated when he turns Nick into a fugitive.
This is where Cera breaks out of his usual mold and shows us something different, but not entirely unconventional to where one might think he was trying too hard. François puts Nick on edge and gives Cera a great character to explore alongside another that basically comes naturally to him at this point. The identity crisis works well as his battling personalities match wits. Cera alone has it in him to push the adapted material well passed a month most would deem as a cinematic dumping ground.
Surprisingly, “Youth in Revolt” is a rarity for early new-year releases. With filmmaker Miguel Arteta (“Chuck & Buck,” “Star Maps”), who has been making solid albeit small films for the past 12 years, the journal entries of one Nick Twisp are a creative and amusing journey about what it means to be at an age where the world begins and ends with whether or not you have the ability to grow facial hair.