Starring: Meryl Streep, Julia Roberts, Juliette Lewis
Directed by: John Wells (“The Company Men”)
Written by: Tracy Letts (“Killer Joe”)

After coming out with one of the most twisted films of last year, an adaptation of his own play, “Killer Joe,” playwright and screenwriter Tracey Letts might have hit the limit of how depraved his material really can get. But that doesn’t mean he can’t still toy around with some dark themes. Making use of a cast of acting veterans and Oscar nominees/winners, Letts pens another Southern-skewed darkly comedic drama, “August: Osage County.”

When the patriarch of a family goes missing, a dysfunctional and estranged family comes together in the house they grew up in. At the center is a mother, Violet (Meryl Streep) and her three daughters. With the stress stemming from a missing patriarch, Violet’s pill addiction and some heavy family tension, the Weston house becomes a place of utter chaos.

As an adaptation of a play, obvious attention is paid to the screenplay. Though it certainly has some sharp, witty dialogue, it is also deeply flawed with an insistence on big, loud, theatrical confrontations. Even though some of them are legitimately interesting and well-performed, the design of jam-packing melodramatic moments around every corner is taxing and leads to a few instances of perceived overacting, most of which is at the hands of Streep. She’s constantly spewing big, dramatic monologues with a thick, put-on accent, though this might be more of a character design flaw than anything else. This isn’t to say it’s a bad performance. All things considered, Streep is good in the role as the foul-mouthed and inappropriate Violet. She is, however, overshadowed by Julia Roberts who is fantastic in the best role she’s had in years.

In fact, many of the performances are mostly strong as director John Wells gets solid turns from such actors as Margo Martindale, Chris Cooper and Juliette Lewis, to name a few. It’s a shame that the structure of packing so many over-the-top dramatic moments makes the film become exhausting to watch at times. Still, “August: Osage County” gets by based on the strength of its acting, especially Roberts.

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