A Private War

“Captures the fearlessness…that shaped who Marie Colvin was when she was embedded on the battlefield.”


“Regrettably, ‘Widows’ forgets that it is – first and foremost – supposed to be a believable heist flick.”


“A low-key family affair that gives way to a narrative where aggravation and resentment simmer beneath.”

Boy Erased

“Doesn’t simplify its characters. It wants audiences to understand the complexities of the relationships.”

Can You Ever Forgive Me?

“Combination of dark comedy and drama builds on the narrative’s stranger-than-fiction premise.”

Bohemian Rhapsody

“It’s virtually impossible not to recommend the film based on Rami Malek’s performance alone.”

Beautiful Boy

“An insightful and uplifting father-son story where unconditional love is the real star of the film.”


“Director Lorena Villarreal slaps together a bunch of sci-fi gibberish and hopes for the best.”


“Spiritual successor to Larry Clark’s controversial 1995 indie ‘Kids,’ although not nearly as provocative.”

The Oath

“Might lose focus during the second half of the movie, but lands a good amount of solid gut punches.”

The Hate U Give

“A gut-wrenching wake-up call to an American society pleading with its citizens to stop the cycle of violence.”

The Old Man & the Gun

“It becomes more than just a biopic about an aging outlaw. It’s a tribute to Robert Redford.”