August Evening

September 4, 2008 by  
Filed under Reviews

Starring: Pedro Castañeda, Veronica Loren, Walter Perez
Directed by: Chris Eska (debut)
Written by: Chris Eska (debut)

In his first feature film “August Evening,” director Chris Eska is so aware of his surroundings it’s almost as if the entire film was shot without the actors knowing the cameras were rolling. It’s a breathtaking success from a truly poetic and minimalist point of view.

The film follows Jaime (Pedro Castañeda), an undocumented Mexican farm worker, and his widowed daughter-in-law Lupe (Veronica Loren), who is still in mourning for her husband after four years. Because of this, she can’t bring herself to continue on with her life. The family dynamic changes, however, when Jaime’s wife passes away and he and Lupe are forced to move to San Antonio to look for work.

Although Lupe wants to take care of her father-in-law, Jaime feels like he has been enough of a burden on her and considers himself at a crossroads where both can go their separate ways. But Lupe is not ready. It’s almost like she needs to know that she is needed. Even when her brother-in-law tries to play matchmaker by introducing her to one of the neighbors (Walter Perez), Lupe is timid about starting another relationship and how that would affect her ability to care for Jaime. She feels safe with Jaime and that’s all she really wants out of life.

As viewers we also feel safe within the confines of Eska’s creativity. Through gentle and leisurely-paced scenes of everyday emotion, Eska wants us to be part of the family’s life. He wants us to recognize their hopes and fears and experience the same eternal love that Jaime and Lupe share for one another.

Castañeda, who has never acted in a film before, uses his natural personality to make Jaime’s soft-spoken manner come alive, while Loren gives a touching performance as a young woman who learns to allow true happiness to find her. Their characters are placed on a vibrant Texas background created by cinematographer Yasu Tanida, who captures the richness of rural South Texas.

This isn’t a story about immigrants looking for the American Dream. Instead, Jaime and Lupe realize who they are an are comfortable in those roles. “We’re put on earth to make more dirt,” says one of the characters in the film. While it could sound like a depressing sentiment to some, Eska is able to translate it into a statement brimming with authenticity and insight.

Chris Eska – August Evening

May 9, 2007 by  
Filed under Interviews

While the average college student might try to boost his or her GPA by taking a slacker course or two in ceramics, food science or weightlifting, Chris Eska, who was attending Rice University and planning on following in his father’s footsteps in the medical field, decided “to get an easy A” by enrolling in a film class.

The plan, however, backfired in a most auspicious way.

“I just totally fell in love with it,” said Eska, who was raised in Ottine, Texas, 60 miles east of San Antonio. “I found myself waking up early on the weekends to go in and edit short video projects.”

With a population of 98 in Ottine, it’s probably safe to say that not many physicians or filmmakers come out of the small town in western Gonzales County. Graduating from Rice in 1998 with his degree in sociology and art, Eska had a decision to make – stay the course and go to medical school or pursue a newfound passion and see where it would lead.

The following year, Eska made his way to Los Angeles when he was accepted into UCLA’s film directing master’s program. Eight years and five short films later, he has completed his first feature-length film, “August Evening.” The independent film, which was shot in Gonzalez and San Antonio, tells the story of an undocumented farm worker and his widowed daughter-in-law as they face the fears, pleasures and disappointments of everyday life.

“It’s been a long road,” said Eska, who is credited as the director, writer and editor of the film. “I’ve been making short films for about 10 years. You make different films with different ambition levels. It came time to make a feature because that’s the only way you can really get any attention.”

Eska received his time in the spotlight and more when “August Evening” made its world premiere at the 2007 Los Angeles Film Festival on June 24. Less than a week later, he was presented with the Target Filmmaker Award, a distinction that included $50,000, the largest cash prize of any American film festival.

“I felt like I had to make a film about things that are important to me like family,” Eska said. “[Winning the award] was unexpected. I would have been fine just showing it to a couple of friends and my parents in their living room.”
The film was also honored with the Best Ensemble Acting Award, although most of the cast were first-time actors.

“[Chris] helped me a lot and made me feel at ease,” said lead actor Pete Castañeda, who made his acting debut in the film. “He seemed to know how each of us was thinking and had just the right words to help us…act out our parts.”

In June, the L.A. Weekly called “August Evening” “a welcome throwback to a time when American independent movies were something more than ‘calling cards’ for their makers to leave at the doors of the Hollywood studios.”

“One of my goals in filmmaking is to…capture the universality of the human experience,” said Eska, who lists directors Terrence Malik (“The Thin Red Line”), Jean-Pierre and Luc Dardenne (“L’ Enfant”), and Edward Yang (“Yi yi”) as mentors.

“I’m not all that interested in making $100-million movies. Most of what I want to say can be said without that type of budget.

“I think a lot of young filmmakers are interested in wowing the studios executives. It’s always with something flashy and violent. These days, it’s very common to see a movie about a bank robbery that went bad and tell it from three different point of views, and backwards. For me, I just want to tell something straight-forward and heartfelt.”