Kung Fu Panda 3

January 29, 2016 by  
Filed under Kiko, Reviews

Starring: Jack Black, Bryan Cranston, J.K. Simmons
Directed by: Jennifer Yuh (“Kung Fu Panda 2”) and Alessandro Carloni (debut)
Written by: Jonathan Aibel (“Kung Fu Panda 2”) and Glenn Berger (“Kung Fun Panda 2”)

How do you make the third installment of an animated panda bear series even more adorable than the first two movies? Add a handful of fat baby pandas to the mix and give them plenty of dumplings to devour. Such is the case with “Kung Fu Panda 3” as hero panda Po (Jack Black) teams up once again with the Furious Five – Tigress (Angelina Jolie), Monkey (Jackie Chan), Mantis (Seth Rogen), Viper (Lucy Liu), and Crane (David Cross) – to defeat an evil villain set to run amok across China.

While the aforementioned cast does another fantastic job with their voice work, specifically Black as the clumsy leader whose on the job training as the Dragon Warrior is working out pretty well, it’s the new talent brought onto this sequel that really makes it memorable. This includes recent Oscar-nominated actor Bryan Cranston (“Trumbo”) as Li, Po’s long lost biological father who finds Po and returns him to his panda roots, and Oscar winner J.K. Simmons (“Whiplash”) as Kai, a villainous bull set on stealing the life force (“chi”) of anyone who gets in his way. Also, keep your eye out for the scene-stealing and hilarious Mei Mei (Kate Hudson), a female ribbon dancing panda bear who takes quite a liking to a less-than-interested Po.

The narrative is warm and light enough in “Kung Fu Panda 3,” although much of the story isn’t what anyone would really consider original. What still stands out, however, is the incredible animation DreamWorks has been able to create with this franchise. The world of “Kung Fu Panda” is even more visually striking than it was when the original film hit theaters in 2008. The animation studio’s perfect combination of computer generated and 2-D work is brilliant and each character, old and new, feels fresh and exceptionally vibrant. Some of the most impressive animated scenes, much like in the last two movies, take place when animators slow down the action right in the middle of a fast-paced fight sequence so audiences can see the finer points of the battle – the splintering of a wooden pole that just got punched or someone getting a roundhouse kick to the jaw.

An overall comparison between “Kung Fun Panda 3” and its predecessors would leave this recent animated movie lagging behind in storytelling, although the father/son messaging is pleasant enough, but there’s no denying DreamWorks is making a stand against powerhouses like Pixar and Disney. Just as long as they can stop producing schlock like last year’s ill conceived “Home,” DreamWorks will still be in the conversation when the big players are mentioned.

Alvin and the Chipmunks: The Squeakquel

January 26, 2010 by  
Filed under CineStrays

Starring: Zachary Levi, David Cross, Jason Lee
Directed by: Betty Thomas (“John Tucker Must Die”)
Written by: Jon Vitti (“Alvin and the Chipmunks”), Jonathan Aibel (“Monsters Vs. Aliens”), Glenn Berger (“Monsters Vs. Aliens”)

Someone must’ve forgotten to tell 20th Century Fox just how terrible the 2007 original film really was. Someone at 20th Century Fox might’ve actually listened if the original didn’t reel in over $217 million at the box office. A film like “Alvin and the Chipmunks: The Squeakquel” supports two theories about Hollywood: the mighty dollar is the old thing in the industry that matters sometimes and studios realize that good family entertainment is hard to find at the theater so packaging a few animated characters together and calling it a movie is a sure-fire way to lure in an audience full of five-year-olds. I didn’t think anything could be as annoying in 2009 as the gerbils in “G-Force,” but apparently the “Chipmunks” wanted to prove me wrong.

Year One

June 20, 2009 by  
Filed under Reviews

Starring: Jack Black, Michael Cera, Oliver Platt
Directed by: Harold Ramis (“Groundhog Day”)
Written by: Harold Ramis (“Analyze This”), Gene Stupnitsky (TV’s “The Office”), and Lee Eisenberg (TV’s “The Office”)

Just when you thought terrible comedic parodies were recently monopolized by the two-headed monster known in Hollywood as filmmakers Jason Friedberg and Aaron Seltzer (“Date Movie,” “Epic Movie,” “Disaster Movie,” etc.), director Harold Ramis (“Groundhog Day”) tosses his name into the mix for at least one satirical take on a genre that really hasn’t seen the light of day since Universal Pictures ruined “The Flintstones” with a pair of live-action duds.

Before that, prehistoric comedy was rocky at best with movies like 1981’s “Caveman” starring Beatle Ringo Starr and 1992’s “Encino Man” about a thawed-out Neanderthal who is taught how to party hard. Now we have “Year One,” a timeline-jumping spoof starring Jack Black (“Nacho Libre”) and Michael Cera (“Juno”) that feels 20 years too late and a handful of well-executed gags short of keeping anyone’s attention.

In the film, Black and Cera play Zed and Oh, two simpletons who are shunned by their tribe for their inadequate hunting and gathering skills. Tired of being ridiculed by the other tribesmen and rejected by the tribeswomen, Zed decides to take a bite out of a forbidden apple from the Tree of Knowledge. When the rest of the tribe finds out he has broken the law of the land, he is cast out of the village for fear that he is cursed.

With nothing to live for back at the village, Oh joins his hairy friend on a road trip by foot through undiscovered lands and time periods. During their adventure, the odd couple dive into the Old Testament where they meet Biblical characters such as Cain and Abel (Paul Rudd and David Cross in an unfunny exchange of sibling rivalry and violence) and even stop Abraham (Hank Azaria) from sacrificing his only son Isaac (Christopher Mintz-Plasse, AKA McLovin of “Superbad” fame). Later on, Abraham reveals he is the mastermind behind circumcision when he recommends to Zed and Oh that they should allow him to perform the surgery because “it’s going to be a really sleek look that’s going to catch on.”

The rest of the film follows our journeymen to the unholy city of Sodom (described here like a first century version of Las Vegas) where they travel to save the women they love after they are captured and forced into slavery. It’s a storyline that is knocked out of sync by one uncreative skit after another.

Relying on cheap and childish jokes (most revolve around bodily excrement and an oily Oliver Platt) and unmemorable one-liners, “Year One” falls face first somewhere in the rear of the evolution line (maybe between the amoeba and the chimpanzee). It’s a primitive, pun-filled hodgepodge that screams Monty Python without any of the wit or style.