David Guggenheim – He Named Me Malala

November 16, 2015 by  
Filed under Interviews

In his new documentary “He Named Me Malala,” Oscar-winning filmmaker Davis Guggenheim (“An Inconvenient Truth”) explores the extraordinary life of Pakistani activist Malala Yousafzai, who was shot in the head by the Taliban in 2012 at the age of 15 for promoting education for Pakistani girls.

Since the assassination attempt, Malala, now 18, has become a spokesperson for girls around the world about their right to an education. She was named one of Time magazine’s Most Influential People in the World for three consecutive years. She was also honored with the Nobel Peace Prize in 2014, making her the youngest laureate ever.

In an interview with me, Guggenheim, 51, talked to us about what it was like to spend time with her family and how her father’s encouragement has helped Malala continue to fight for the issues most important to her.

You spent a lot of time with Malala during the making of this documentary. What did you learn about her aside from the political attention her story has earned over the last three years?

I’m a guy from Los Angeles. My father is Jewish and my mother is Episcopalian. I didn’t know what it would be like to meet this Muslim family. I took a cab to their house in Birmingham, England and knocked on their door and didn’t know who I was going to meet. Malala opened the door and she let me into this incredible family. They are very smart, but they are also very irreverent and funny. In the movie she arm-wrestles her brother. She goes online and looks up pictures of movie stars. She can be an ordinary girl. That’s sort of the message of this movie. This ordinary girl can become famous and extraordinary because she made a brave choice. She chose to risk her life for something she believes in, which was her school. The Taliban was taking away her school and she fought for it.

Did you feel any added pressure making this documentary because you were the first filmmaker to get access to the family in this way? I mean, it’s unlikely another filmmaker is going to get the chance to do the same thing any time soon.

It’s true. I felt a tremendous responsibility. Malala is so special when you’re with her. I wanted to get [her story] right. I’ve never really met anyone like her. She decided at a very young age to risk her life and to speak out for what she believes. [Her family] lived in a very peaceful valley [in Pakistan] where they built a school and the Taliban wanted to shut it down. I thought it was very inspiring and a good message for girls all around the United States. You should speak out if there is something you believe in, even if you’re risking you’re life. It’s still important to raise your voice, especially now in this time and in this world. It’s amazing how the movie is so universal. I’ve shown it now for girls and families all around the United States and it has this great inspiring message for everyone.

The film is about Malala’s father, Ziauddin Yousafzai, as much as it is about Malala. Why did you decide his story was so important to the narrative?

I’m a father and I have two daughters. Selfishly, I wanted to know what kind of magic this man and this girl did to become who they are. It’s very interesting because he named her Malala after this mythical character (Malalai of Maiwand) who spoke out and rallied the Afghans against the British to win the [Second Anglo-Afghan] War. This girl spoke out and was killed for it. [Ziauddin] decided to name her after a girl who is killed for speaking out. Malala herself speaks out and is shot for speaking out. The movie has this sort of question of destiny. Did Malala become this person because her father gave her this name? Or is she her own person who became this advocate and this hero on her own? Watching this movie helps you decide that and helps you understand what the true nature of a good father and a good daughter is in a family.

For the rest of my interview with filmmaker Davis Guggenheim, click HERE.

It Might Get Loud

September 18, 2009 by  
Filed under Reviews

Starring: Jack White, Jimmy Page, The Edge
Directed by: Davis Guggenheim (“An Inconvenient Truth”)

Turning his attention from climate changes to key changes, Academy Award-winning director Davis Guggenheim (“An Inconvenient Truth”) creates rock ’n’ roll heaven in his newest documentary “It Might Get Loud.”

Featuring guitarists Jack White of the White Stripes, Jimmy Page of Led Zeppelin, and The Edge of U2, Guggenheim makes the rules simple: Toss the trio into a comfortable environment where they can swap stories and talk rock history, leave a few electric guitars and amplifiers laying around, turn on the camera, step back, and see what happens.

The musical experiment isn’t like putting chimpanzees in a cage full of Legos and hoping for the best. If you’re familiar with the careers of White, Page, and Edge, it’s pretty obvious what is going to occur if given the time to bond during the course of one afternoon: one hell of a jam session.

Between the electric guitar strumming, Guggenheim gets to the root of each man and their deep-seated passion for their craft. White, Page, and Edge might be the most diverse group Guggenheim could have assembled, but once you see the respect they share for each others’ musical styles, the gathering of guitarists causes sparks. No matter which generation you relate to the most, “It Might Get Loud” definitely turns up the volume.

The one-on-one time Guggenheim gets with each man is also priceless. Traveling back to where music became the cornerstone of their lives, Guggenheim is able to draw fascinating opinions and musical philosophies out of them as if he has known them forever. Edited into these intriguing interviews is archive footage of past performances with different bands. It almost feels like the men themselves have invited you into their homes to share something special; something that will be added to their legacy once all is said and done.

While each of their biographies is worthy enough of its own documentary, the most revealing scenes of the film are when the music is flowing out of them as a small ensemble. Once White, Page, and Edge get passed the sometimes-awkward small talk, there’s more to be expressed on the strings than any dialogue could ever compare to. In one scene, Page is playing alone as White watches attentively and smiles as if the two just shared a moment than no one else experienced. It’s that connection between the musicians that makes “It Might Get Loud” a once-in-a-lifetime moment no real rocker (or wannabe for that matter) should miss.