Ep. 116 – Venom, A Star is Born

October 7, 2018 by  
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The CineSnob Podcast returns from its summer abroad, with reviews of “Venom” and “A Star is Born.” Cody also gives us a recap of Fantastic Fest, and we remind you to go download our friend Greg Sestero’s movie “Best F(r)iends: Vol. 1.”

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Ep. 107 – Star Wars: The Last Jedi (spoilers start at 17:04) and The Disaster Artist

December 14, 2017 by  
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This week on The CineSnob Podcast, Cody and Jerrod review the year’s most anticipated movie, “Star Wars: The Last Jedi.” BE AWARE: Spoilers run from 17:04 to 40:35!

They also review last week’s wide release “The Disaster Artist,” which is also the subject of Bonus Episode 13, so give that a listen too!

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Bonus Episode 13: The Disaster Artist with Greg Sestero and Tom Bissell

December 5, 2017 by  
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It’s a very special “The Disaster Artist” themed bonus episode of The CineSnob Podcast. First up, Cody and Jerrod talk to friend of the show Greg Sestero as he returns to catch us up on the past 2 years of seeing his memoir about the making of “The Room” turned into a major motion picture.

Next, the boys talk with co-author of the book Tom Bissell about how he stumbled upon “The Room,” exploring Tommy Wiseau’s past, and how he helped Greg tell the story of his friendship with Tommy.

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Ep. 103 – Top 5 movies of the year so far, home video reviews of The Circle, Unforgettable, and Kong: Skull Island, and a preview of Fathom Events this week

August 14, 2017 by  
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This week on The CineSnob Podcast, Cody and Jerrod run down their top 5 movies of 2017 so far. They also preview a pair of Fathom Events, “Batman and Harley Quinn” and “Rifftrax Live – Doctor Who: The Five Doctors,” and Cody reviews home video releases for “The Circle,” “Unforgettable,” and “Kong: Skull Island.”

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Ep. 97 – Beauty and the Beast, Kong: Skull Island, and our full SXSW recap

March 20, 2017 by  
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This week on The CineSnob Podcast, Cody and Jerrod review “Beauty and the Beast,” circle back to pick up “Kong: Skull Island” from last week, and give their full SXSW recap, including quick reviews of “The Disaster Artist,” “Baby Driver,” and “Mr. Roosevelt.”

[00:00-42:53] Intro/SXSW recap

[42:53-56:37] Review: “Beauty and the Beast”

[56:37-1:06:30] Review: “Kong: Skull Island”

[1:06:30-1:10:20] Wrap up/tease

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SXSW Review: The Disaster Artist

March 14, 2017 by  
Filed under CineBlog

“The Disaster Artist,” a comedy documenting the creation of the cult-classic film “The Room,” often called “the worst movie ever made,” received a standing ovation from a crowd at the Paramount Theatre in Austin, where the film screened for South By Southwest as a work in progress.

Director and star James Franco, who plays the enigmatic Tommy Wiseau, was on hand along with producing partner Seth Rogen (who has a role as an exasperated script supervisor in the film) and Franco’s brother Dave, who plays Wiseau’s best friend and “The Room” co-star Greg Sestero.

(The actual Tommy Wiseau an Greg Sestero were in attendance as well, receiving a standing ovation themselves as they took the stage for a post-show Q&A.)

The film, based on the book “The Disaster Artist: My Life Inside Inside The Room, The Greatest Bad Movie Ever” by Sestero and Tom Bissell, chronicles the meeting of Wiseau, a mysterious man with an inscrutable accent and long black hair who looks much older than he says he is, and Greg, a fresh-faced 19-year-old struggling to make it as an actor San Francisco in the late ’90s.

Tommy and Greg become friends–in Tommy’s case, Greg is really his only friend–and move to Los Angeles to make it big as actors, despite Tommy’s eccentric behavior and his cryptic warnings to Greg to not tell anyone anything about him and his increasing jealousy of seemingly anything Greg gets that he doesn’t, like an agent, or something that steals Greg’s attention, like a girlfriend.

After they both struggle to find work, Tommy vows to write a film for he and Greg to star in and, with Tennessee Williams’ “A Streetcar Named Desire” as his inspiration, Tommy bangs out the script for “The Room” and digs into what one character calls a “bottomless pit” of money to produce his “All-American” vision his way, including the unorthodox practice of buying film equipment over leasing it and using it to shoot film and HD video side-by-side.

Tommy himself and the script for the film baffle crew members, including the script supervisor and de facto director Sandy (Rogen) and director of photography Raphael (Paul Scheer), who both nearly quit over Tommy’s outrageous behavior, only to be talked out of it by Greg, the checks that are still clearing, and the notion that no one will see the film anyway.

Of course, the film saw the light of day in 2003 and became a midnight sensation thanks to Tommy’s paying to keep it in theaters (to qualify for the Academy Awards) and an infamous, ominous billboard that lorded over Hollywood for more than a decade.

Easily his best film as a director to date (most of them are really weird and terrible), James Franco also disappears incredibly into Tommy, making him more than just a weird accent and greasy black hair, but also leaving the mystery of Tommy effectively intact. Sure, the audience might want to know some simple things like where Tommy came from, where he gets his money, and just how old he is–but the real Wiseau has never publicly revealed that either.

Franco’s wonderful performance, like the film itself, is easily on par with the Johnny Depp-Tim Burton biopic “Ed Wood,” a career-best turn for both, about a delusional, never-give-up director of terrible-yet-sincere movies that share DNA with “The Room.”

The question remains if “The Disaster Artist,” still technically not complete and a little scraggly in the middle, will play to a crowd that isn’t familiar with “The Room” and all of its foibles. The audience at SXSW was certainly made up of devotees (myself included), loudly cheering and laughing at every recreated line and situation (the original film screened right after the Q&A wrapped up…I didn’t stay for that).

Regardless, “The Disaster Artist” is delightfully hilarious and, like the inimitable Tommy Wiseau, has genuine heart.

Ep. 66 – Bridge of Spies, Beasts of No Nation, Manson Family Vacation, Crimson Peak, Goosebumps, bonus episode recaps, our Tucker & Dale screening at Drafthouse, and Christopher Nolan talks more pretentious nonsense about shooting on film

October 19, 2015 by  
Filed under Podcast, Uncategorized

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In this week’s episode of The CineSnob Podcast, the guys give their takes on “Bridge of Spies,” “Beasts of No Nation,” and “Manson Family Vacation,” along with quick reviews of “Crimson Peak” and “Goosebumps.” They also recap bonus episodes 8 and 9 of the podcast, featuring comedian Jerry Rocha and actor/author Greg Sestero, respectively, tease their “Tucker and Dale vs. Evil” screening at Alamo Drafthouse, and discuss the latest pretentious comments made by director Christopher Nolan about the movie-going experience and how it relates to shooting on film.

[0:00-25:33] Intro, Jerry Rocha and Greg Sestero episode teases, Tucker & Dale screening info
[25:33-48:09] Christopher Nolan has more pretentious stuff to say about film and the movie-going experience
[48:09-58:03] Bridge of Spies
[58:03-1:10:53] Beasts of No Nation
[1:10:53-1:17:52] Manson Family Vacation
[1:17:52-1:20:48] Quick hit: Crimson Peak
[1:20:48-1:24:28] Quick hit: Goosebumps
[1:24:28-1:30:20] Wrap up/tease for next week

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