Spare Parts

January 16, 2015 by  
Filed under Kiko, Reviews

Starring: Carlos PenaVega, George Lopez, Marisa Tomei
Directed by: Sean McNamara (“Soul Surfer”)
Written by: Elissa Matsueda (debut)

While Lions Gate Entertainment’s heart was in the right place when the company created Pantelion Films to help distribute movies specifically for Latino audiences, they’re track record has been less than stellar over the last four years from a critical standpoint. Sure, the surprise 2013 hit “Instructions Not Included” became the highest grossing Spanish-language film to ever open in North America, but the picture itself was riddled with clichés and substandard direction by its popular Mexican star Eugenio Derbez.

Despite some major disappointments over the years (“Casa de Mi Padre,” “Pulling Strings,” and especially the biopics “Cantinflas” and “Cesar Chavez”), Pantelion has managed to release a couple of entertaining projects, the first being the 2013 music drama “Filly Brown” lead by rising star Gina Rodriguez (TV’s “Jane the Virgin”). Its second bright spot on its roster comes this year by way of a true story that took place a decade ago in Phoenix, Arizona.

In the film “Spare Parts,” a group of undocumented Latino high school students decide to build a robot to compete in an underwater robotics competition. It’s an incredibly inspirational story you may or may not have heard about when it happened in 2004, but one that was deserving of a feature film. “Spare Parts” is far from perfect. In fact, with first-time screenwriter Elissa Matsueda penning the script, there are a handful of glaring narrative problems that can only be described as vague and amateurish. Still, it all really comes back to the story of these young men who did what many thought impossible.

It’s easy to root for the protagonists, which makes unnecessary characters and plot holes less bothersome. Everyone involved is so likeable, starting with actor Carlos PenaVega portraying Oscar Vazquez, the leader of the robotics team who brings his idea to enter the underwater competition to new substitute teacher Fredi Cameron (George Lopez). When Oscar finds out he is unable to follow his dream and join the military because of his immigration status, he is committed to finding something else to do with his life. Also on the team: Lorenzo Santillan (José Julián from “A Better Life”) who brings his talent as a mechanic to the group, but is struggling to live up to his strict father’s (Esai Morales) standards; Cristian Arcerga (David del Rio), the brain of the operation; and Luis Arranda (Oscar Gutierrez), the muscle needed to get their ugly, clunky and heavy robot into the water.

The story is strongest when screenwriter Matsueda stays focused on what is truly important, which are the technical aspects of the boys’ robot, the competition at hand and the backgrounds of these four Dreamers. Matsueda strays far too much between this and less interesting relationships between Oscar and his love interest and Fredi and another teacher (Marisa Tomei). “Spare Parts” should have taken a page from two similar films that came before it, “Stand and Deliver” and “October Sky,” and embraced its subject wholeheartedly (like “Stand and Deliver” did with calculus and “October Sky” with rocket building). There will be a few smiles by the time the closing credits roll, but the journey getting there and actually understanding how the boys accomplished what they did is sorely missing.

Beverly Hills Chihuahua

October 5, 2008 by  
Filed under Reviews

Starring: Drew Barrymore, Andy Garcia, Piper Perabo
Directed by: Raja Gosnell (“Never Been Kissed”)
Written by: Analisa LaBianco (debut ) and Jeffrey Bushell (debut)

It might be easy to dismiss the idea of “Beverly Hills Chihuahua” if you associate the movie with heiress Paris Hilton carrying a pooch in her purse down Rodeo Drive or think of nothing but a bunch of talking mutts, but make no, er, bones about it, “Chihuahua” is surprisingly one of the best family films of the year not starring a trash-collecting robot.

In “Chihuahua,” Rachel (Piper Perabo) is left to dog-sit her Aunt Viv’s (Jaime Lee Curtis) most prized possession: her spoiled Chihuahua Chloe (voiced by Drew Barrymore). Treated like the furry queen of the castle, Chloe enjoys the finer things in life like designer doggie clothes, choice cuts of meat for dinner, and her time at the day spa. But when Chloe is dog-napped during Rachael’s spontaneous trip to Puerto Vallarta with her friends, she must fend for herself or become a four-legged casualty on the stray-filled streets of Mexico.

“Beverly Hills Chihuahua” is entertaining first and foremost because of the great voice work by some talented actors. As Delgado, a former police dog who saves Chloe from participating in an underground dog fight, Andy Garcia is fantastic. Who knew you could get so much enthusiasm to come out of mouth of a German shepherd? Edward James Olmos is also noteworthy as Diablo, a fiendish Doberman on a mission from his owner to hunt down Chloe and get his paws on the diamond collar she is wearing.

As a smitten Chihuahua named Papi, George Lopez brings a humorous “Lady and the Tramp”-like perspective to the film. Between serenading Chole with Spanish love songs and calling her “mi corazon,” Lopez’s Papi might be too flashy at times, but every story needs a little romance even when the suitor comes with a wagging tail. Cheech Marin is great as one of the very few non-canine characters, Manuel, a cunning mouse who works the streets as a con artist with his iguana friend Chico (voiced by Paul Rodriguez).

Not only does “Chihuahua” showcase some well-cast actors, there is a surprisingly sweet message that wins through without becoming intolerably stereotypical or corny. Sure, we could do without insubstantial one-liners like “Hold your tacos” and the always overused “We’re Mexican not Mexican’t,” but there’s plenty of value for kids and adults alike when “tiny but mighty” pups are teaching us about inner-strength.

As far as live-action talking animal movies go, “Chihuahua” isn’t speaking the language of “Babe” or “Charlotte’s Web,” but it’s charming. Don’t let the unpromising trailers fool you. This dog definitely has some bite behind its yappy bark.