Guardians of the Galaxy 2

May 5, 2017 by  
Filed under Jerrod, Reviews

Starring: Chris Pratt, Zoe Saldana, Kurt Russell
Directed by: James Gunn (“Guardians of the Galaxy”)
Written by: James Gunn (“Guardians of the Galaxy”)

The first “Guardians of the Galaxy” film was a gamble in 2014, and it paid off big for Marvel—even if they were stealthily hedging their bets by releasing it late in the summer and without a firm connection to their already-established Marvel Cinematic Universe. Filled with loveable dirtbag characters, sharp humor and enough classic rock needle drops to make Cameron Crowe jealous, writer/director James Gunn’s sci-fi comedy about a bunch of a-holes was a refreshing change of pace from the Earth-bound heroes Marvel built its franchise on.

Following the financial success of the first film, Marvel allowed Gunn to run with the series, and in the time-honored sequel tradition of “bigger and more” he turned out “Guardians of the Galaxy Vol. 2” which still delivers most of the stuff you loved about the first go-round, only this time with a lot more of it and somewhat less satisfaction.

After a prologue in 1980 Missouri featuring yet another old actor digitally de-aged (in this case, Kurt Russell) to fill in some of our heroes’ backstory, we jump ahead 34 years as the Guardians of the Galaxy (Chris Pratt as Peter Quill/Star-Lord, Zoe Saldana as Gamora, Dave Baustia as Drax, the voice of Bradley Cooper as Rocket, and the heavily-processed voice of Vin Diesel as adorable Baby Groot) are doing some work for hire (their price? Karen Gillen’s Nebula) protecting intergalactic batteries from a space monster for some gold-skinned alien beings called the Sovereign.

After they’ve succeeded, Rocket decides to swipe a few of the priceless batteries for himself, leading to the Sovereign forces giving chase and downing the Guardians’ ship on a remote planet. They’re saved from slaughter by a man riding an egg-shaped ship, named Ego (Russell), who reveals he’s Quill’s long-lost father and wants to show him where he came from. While Gamora and Drax join Quill, Rocket and Groot stay behind to repair the ship and keep watch over Nebula, only to be ambushed by Yondu (Michael Rooker) and his band of Ravagers out to collect a bounty on Rocket for thieving from the Sovereign.

After a mutiny derails Yondu’s original plan, he teams up with Rocket, Baby Groot, and Nebula to save Peter (and the galaxy) from the secret plan Ego has in place for his son.

With a kitchen sink approach to characters, plot turns and yacht rock songs, “GOTG Vol. 2” often feels in danger of collapsing under the bloat, but ends up kept afloat mostly by the enjoyment of hanging out with these characters again and the sheer amount of laughs the screenplay doles out. The comedy MVP trophy for this outing is more than earned by Bautista’s hyper-literal Drax, who punctuates nearly every near-death experience with a hearty, infectious laugh. Like a delicious hamburger with so many toppings they spill out all over your shirt when you take a bite, “Guardians of the Galaxy Vol. 2” is often highly enjoyable, but next time around you’d like it all to hold together a little better.

The Hateful Eight

January 8, 2016 by  
Filed under Kiko, Reviews

Starring: Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh
Directed by: Quentin Tarantino (“Django Unchained”)
Written by: Quentin Tarantino (“Pulp Fiction”)

Three years after Quentin Tarantino’s Oscar-winning “Django Unchained” opened on Christmas Day 2012, the controversial filmmaker delivers another Western bloodbath for fans to eat up this holiday season, this time a 3-hour epic (including prologue and intermission) set in post-Civil War Wyoming. With a strong blizzard bearing down, two bounty hunters, Major Marquis Warren (Samuel L. Jackson) and John Ruth (Kurt Russell), the latter chained to fugitive Daisy Domergue (Jennifer Jason Leigh), find shelter in a local haberdashery where they must keep their eyes on a motley crew of strangers with unknown intentions. As with most of Tarantino’s creations, the film is full of smartly written dialogue and absurd violence. Different is the stage play quality it exhibits since most takes place in a single location. This might be second-tier Tarantino, but there’s plenty to enjoy, especially composer Ennio Morricone’s extraordinary score.