American Teen

August 28, 2008 by  
Filed under Reviews

Starring: Hannah Bailey, Colin Clemens, Geoff Haase
Directed by: Nanette Burstein (“The Kid Stays in the Picture”)
Written by: Nanette Burstein (“In the Name of the Emperor”)

Academy Award-nominated filmmaker Nanette Burstein’s new documentary “American Teen” is the cinematic equivalent of a magician’s smoke and mirrors. You want to believe what you see, but it’s far too implausible for everything to be authentic. Burstein is the metaphorical man behind the curtain, and she allows herself to be caught whether she wanted to or not.

In “American Teen,” Burstein travels with a film crew to the Midwest where she sets up her cameras in a small-town Indiana high school. There, she chooses her cast based on which high school seniors seem to have the most to offer based on their personalities. Of the five kids she handpicks, it’s evident which ones hit closer to home for Burstein. The others are left to fill stereotypical gaps in the storyline. Like any other feature film where cliques run rampant and teenage hormones get the best of everyone, Burstein packages it, and does it with a little more bubble wrap than we would have liked. It’s hard to see what’s really behind the blurriness unless you slice through its protective cover.

Where her story shines is when the cameras focus on Hannah Bailey, the “artsy” girl of the cast who feels out of place in her hometown of Warsaw. It might be because Burstein herself was once this girl 20 years ago and can sympathize with her, but the connection causes the film to become unbalanced, favoring Hannah over the other teens (the jock, the princess, the geek and the heartthrob).

Even then, real footage captured seems so edited to the point that we feel Burstein could possibly be taking everything she witnessed out of context. There are always instances where cameras are rolling at the most opportune time. If they weren’t the story couldn’t progress. Since they are, you wonder if a percentage of it was recreated.

Playing out like an episode of “The Hills,” with smarter, more interesting, and less attractive boys and girls, there is a reality-show impression left behind by “American Teen” that leave a bad taste. It’s hard to tell how these students would have acted if the cameras were off instead of starring in their own personal “E! True Hollywood Story.” There probably would have been just as much drama, but Burstein’s tricky third-person perspective could have been avoided.

Nanette Burstein – American Teenager

June 6, 2008 by  
Filed under Interviews

In her 1999 Academy Award-nominated documentary “On the Ropes,” director Nanette Burstein traveled to the East Coast to tell the story of three aspiring boxers from Brooklyn as they trained for the most important tournament of their lives. Three years later, she followed up the success of her first film by heading to the West Coast to film the documentary “The Kid Stay in the Picture,” adapted from Hollywood producer Robert Evans’s autobiography.

Now, Burstein finds herself in small-town America with the documentary “American Teen.” The film follows five students from the Midwest as they attempt to survive their high school years and all the baggage that comes along.

During a phone interview with me, Burstein, 38, talked about what she hoped to illustrate by documenting the lives of these teenagers, her own high school memories, and what advice high school students should take once the big ride is over.

Of all the high schools in all of America why did you choose Warsaw Community High School in Indiana?

Nanette Burstein: I think there is a timelessness about the heartland of our country. I wanted to do it in a town that only had one high school because I thought there would be a lot more social pressure in a place like that.

What kind of high school did you go to in Buffalo?

It was a small high school, but Buffalo is a big city and there are a lot of places to escape. I wondered what would have happened if I hadn’t had that. I wondered if high school would have been that much tougher.

Did you belong to any cliques?

Yes, I started out in the more popular clique in high school during my freshman year and ended up a more bohemian, arty chick as school went on. I definitely had friends from different cliques and still hung out with [the popular crowd] to an extent, but I wasn’t nearly as close to them as before.

What were you hoping to capture in the lives of these teens?

I was hoping to explore the struggle to form your identity at that age. I wanted to show the honest emotions that go along with that – the insecurities, the heartache, the first love, the vulnerability, the larger than life moments you feel at that age where everything seems too enormous and significant.

Do you think it’s easier or harder today to be an American teen?

I think it’s harder to some extent due to technology. I think communication is much faster and as result more vicious and more regrettable at times. But everything else is very similar. There is this rite of passage that everyone goes through where high school keeps repeating itself over and over in every single generation.

Do you still look back on your high school years?

(Laughs) I had a very traumatic prom night. But there are definitely unforgettable moments – both good and bad – from high school that standout today for me. Making this film has reminded me of them more and more.

Now, I have to ask you: What happened during prom night?

(Laughs) Uh, it’s a long story. I had my heart broken. I ended up on a street corner outside my boyfriend’s house crying hysterically at four or five in the morning until my friend found me and picked me up.

Many recently high school graduates are getting ready to start their first year of college. Do you have any advice for them?

There is a whole world out there and you can certainly reinvent yourself if you weren’t feeling like you were being true to yourself in high school. You really are in a fishbowl up until that point in life.