Spectre

November 8, 2015 by  
Filed under Cody, Reviews

Starring: Daniel Craig, Christoph Waltz, Lea Seydoux
Directed by: Sam Mendes (“Skyfall”)
Written by: John Logan (“Skyfall”), Neal Purvis (“Skyfall”), Robert Wade, (“Skyfall”) and Jez Butterworth (“Black Mass”)

After the events of “Skyfall,” James Bond (Daniel Craig) finds himself in trouble when causing damage on an unofficial assignment in Mexico. As he disobeys his suspension, Bond tracks down an organization called Spectre, which leads him to people from his past. From there, Bond is sent on a globe-spanning path to take down the leader of this evil organization. Meanwhile at MI6, M (Ralph Fiennes) must fight to keep the 00 program alive when an intelligence operation between multiple countries threatens its future.

After one of the best-received Bond films of all time, Craig dons the Bond suit without much energy this time around. It certainly isn’t a bad performance, but it also doesn’t appear like Craig is having much fun in the lead role. As a villain, Christoph Waltz is still chasing the kind of terror he was able to instill in “Inglorious Basterds.” Rather than develop any true sense of menace, Waltz merely delivers lame monologues as his form of evil. Of course, if the audience ever thought Bond would be in any real sense of danger, perhaps it would play better. The franchise is chugging along, though, and so words are not enough to feel any fear for his safety.

There’s a level of complacency that seems to be running throughout “Spectre,” especially in the sense that nearly everything feels obligatory. Yes, there are giant set pieces and a few scenes of great action, especially in the opening sequence. But there’s also a boring repetition of the same three things that always happen to Bond. He drinks, he beds beautiful women, and he kills people. In one scene of “Spectre,” Bond bangs a grieving widow whilst getting information out of her. That very well may be what diehard fans are looking for, but it makes for eye rolls and more importantly, completely absurd plot development. Frankly, if you take away all of the unnecessary plot contrivances, sex, women, fast cars and guns in “Spectre,” nothing remains.

There’s almost no sense of a ”spy” movie here either. Everything is out in the open and it’s extremely hard to care about what little mystery exists. It’s loud, messy, filled to the brim with pointless secondary characters and agonizingly long. It is also, admittedly, polished, sleek, and stylish. Bond fans should be pleased with yet another “Bond being Bond” film. But for those looking for something with more substance and narrative, there’s little to be found underneath the superficial sheen.

Skyfall

November 9, 2012 by  
Filed under Reviews

Starring: Daniel Craig, Javier Bardem, Judi Dench
Directed by: Sam Mendes (“American Beauty,” “Road to Perdition”)
Written by: Neal Purvis (“Casino Royale”), Robert Wade (“Casino Royale”), John Logan (“Gladiator”)

Growing up in the ’80s and ’90s, the first James Bond movie I properly saw was 1995’s “GoldenEye,” which was also the first Bond movie featuring Pierce Brosnan as 007. Though most people are probably more fond of the classic Nintendo 64 video game based on the film than the actual movie itself, “GoldenEye” marked the beginning of the end for the 50-year-old Bond brand as the world knew it. The excesses and mediocrity of Brosnan’s subsequent turns as 007 led to the 2006 ground-floor reboot “Casino Royale,” featuring Daniel Craig as a blonder, grittier, more realistic James Bond. As the “Batman Begins” of Bond films, if you will, it lit the fuse on a new series with the fresh creative vision and streamlined storytelling that the character desperately needed.

The latest entry in the series, “Skyfall,” kicks off with one of the series’ trademark action-packed cold opens featuring Bond and fellow MI6 agent Eve (Naomie Harris) tracking a mercenary with a stolen hard drive containing the names of NATO secret agents through Istanbul. A rooftop motorcycle chase and a fistfight atop a moving train give way to Bond being presumed dead after plummeting from a bridge after being shot. Months later, when an expert computer hacker triggers a gas explosion that destroys the MI6 office of M (Judi Dench), 007 returns to London. A former agent named Silva (Javier Bardem) is behind the attack, Bond learns, and is intent on releasing the names of the agents and exacting his revenge on M.

Perhaps best described as “The Dark Knight” of the 007 franchise, “Skyfall” is first and foremost a great movie, not to mention one of the greatest Bond movies ever. Academy Award-winning director Sam Mendes (“American Beauty”) builds on the stripped-down reboot stylings of “Casino Royale” and “Quantam of Solace,” doling out more pieces of Bond’s backstory than ever before and re-introducing classic 007 staples like geeky gadget master Q (Ben Whishaw) and an ejection seat-equipped Aston-Martin. Mendes also turns in the best-looking Bond film to date, from his focus on mirrors and reflections to hand-to-hand combat shot in silhouette against the dancing neon of the Shanghai skyline. Bardem’s Silva makes a fantastic foil to Craig’s broken Bond, each of them representing a different path taken after being abandoned in the field by their surrogate mother, Dench’s world-weary M. No diamond-skinned villains or hat-hurling sidekicks here; these are complex characters treated as such, plumbing depths never before visited in any Bond adventure.

Minor stumbles in the plot annoy more than anything, such as a barely-used femme fatale (Bérénice Marlohe), the millionth “missing hard drive filled with secret identities” in a spy movie, and an unforgivably goofy computer hacking plot thread (seriously, Hollywood: we all know how computers work now…knock it off with the stupid hacker tricks and fantastical graphics), none of which are enough to keep “Skyfall” from completing its mission with excitement, style, and a surprising amount of emotional resonance.

Quantum of Solace

November 5, 2008 by  
Filed under Reviews

Starring: Daniel Craig, Olga Kurylenko, Mathieu Almaric
Directed by: Marc Forster (“The Kite Runner”)
Written by: Paul Haggis, Neal Purvis, and Robert Wade (“Casino Royale”)

While Daniel Craig’s more intense James Bond character was an improvement when it replaced Pierce Brosnan’s pretty-boy image for the first time in 2006’s “Casino Royale,” there’s not much any 007 can do when a screenplay is as interesting as a watered-down martini. Craig is still the man who should be trekking the globe and seducing the ladies, but the franchise has hit a sizable speed bump in “Quantum of Solace.”

With a story that centers on Bolivian oil pipelines and water, the trio of screenwriters who penned “Royale” – Paul Haggis, Neal Purvis, and Robert Wade – seem less creative for their follow-up film. In “Solace,” Bond is on a new mission to find information on a secret organization not even British intelligence knows about. With femme fatale/Bond girl in hand (Olga Kurylenko), Bond may or may not be seeking revenge for the death of Vesper in the last film, but who’s really keeping a body count at this point?

Craig is all muscle while other Bonds have been all charm, which is a great revision, but in “Solace,” it feels like the writers have checked off a grocery list to make sure they’ve gotten all the secret-agent clichés in order. Foot chase? Check. Car chase? Check. Boat chase? Check. Plane chase? You’re kidding, right? Check. Unless you really had your heart set on an action sequence on horseback, even the most devoted Bond fans should know when something has run its course.