Ep. 124 – John Wick: Chapter 3 – Parabellum, Hail Satan?, and positive discussion of Robert Pattinson as the new Batman

May 20, 2019 by  
Filed under Podcast

This week on The CineSnob Podcast, Cody and Jerrod review “John Wick: Chapter 3 – Parabellum” and “Hail Satan?”

They also discuss the rumored casting of Robert Pattinson as the new Batman, and what he would bring to the role.

Click here to download the episode!

The Rover

June 20, 2014 by  
Filed under Kiko, Reviews

Starring: Guy Pearce, Robert Pattinson, Scoot McNairy
Directed by: David Michod (“Animal Kingdom”)
Written by: David Michod (“Animal Kingdom”)

It’s been four years since writer/director David Michod materialized out of thin air to deliver his ambitious and expertly paced crime thriller “Animal Kingdom,” which follows a dysfunctional Melbourne family and their internal fight with loyalty when one of their own is murdered. Michod turns up the heat a few degrees, but still keeps it to a slow burn with his newest film “The Rover,” an aggressive post-apocalyptic drama set in the grimy Australian Outback that plays like a tale of revenge although our antihero’s motives are not defined until the very end.

In “The Rover,” actor Guy Pearce (“Memento”) stars as Eric, a thick-skinned loner traveling through an Australian wasteland. When his car, the only possession he seems to have besides the sweaty shirt on his back, is stolen by a trio of thieves, Eric makes it his mission to track them down and retrieve what is his. At the start of his pursuit, he meets Rey (Robert Pattinson, in what is easily the best performance of his career thus far), the simpleminded brother of one of the car thieves, who forms an unusual bond with Eric and decides he will help him find his vehicle.

Stylistically, Michod does some impressive work with the look and feel of a dried-up Australian Outback devoid of any reason for its inhabitants to live. We’re not talking about the same kind of misery in something like director John Hillcoat’s “The Road,” but Michod’s trek through the dusty countryside would probably still make any man go mad. We see that here with Eric, a hardened soul willing to do anything he can to get back what is rightfully his. Pearce’s anger is palpable, which balances effectively with Pattinson’s weak-minded nature and an almost strange need to feel accepted by Eric. In a way, it feels like the relationship between George and Lenny in author John Steinbeck’s classic novel “Of Mice and Men” from a character perspective. Both need each other in their lives for completely different reasons.

“The Rover,” however, is much more callous and bleak in its delivery. The sense of hopelessness throughout the film is suffocating and Pearce’s performance doesn’t let up for a second. As the more subdued Rey, Pattinson sheds the outer sparkle tweens flocked to in the “Twilight” series and proves he can do some fine work when a role is as rich as this. The ending might not hit as hard as Michod would like, but “The Rover” has an unapologetic mean streak that can’t be ignored.

The Twilight Saga: Breaking Dawn – Part 2

November 16, 2012 by  
Filed under Reviews

Starring: Kristen Stewart, Robert Pattinson, Taylor Lautner
Directed by: Bill Condon (“Breaking Dawn – Part 1,” “Dreamgirls”)
Written by: Melissa Rosenberg (“Breaking Dawn – Part 1”)

We made it, everyone! The end of “The Twilight Saga” is here! Husbands and boyfriends across the nation can rest easy knowing that, at least for now, the ham-handed, crushingly-romantic gothic nightmare adaptations are finally drawing to a close. The final chapter, “Breaking Dawn — Part 2” picks up where it’s terrible, interminable predecessor left off: with Bella Cullen’s (Kristen Stewart) awakening as a vampire. After her marriage to sparkly bloodsucker Edward Cullen (Robert Pattinson) results in a dangerously destructive pregnancy, Edward “turns” Bella while in labor in order to save her life. When the half-human/half-vampire baby is born, shape-shifting wolf Jacob Black (Taylor Lautner) “imprints” on her, meaning the newborn is destined to become Jacob’s soulmate. Um…

Anyway, when the dust settles, wolf-Jacob, Bella, and her rapidly-aging daughter Renesmee (Mackenzie Foy) are spotted by distant Cullen cousin Irina (Maggie Grace), who mistakes the girl for an “immortal child,” an uncontrollable vampire turned too young. Such a thing has been forbidden, and Irina reports this broken law to the Volturi, the old-school velvet-caped, scroll-reading vampire clan led by Aro (an hilariously crazy Michael Sheen) and Jane (Dakota Fanning, wasted again). The Volturi set out to destroy Renesmee in order to protect the future vampires everywhere while the Cullens and their associates prepare to defend the young girl with both testimony and battle.

As with the first film, “Part 2” visibly strains under the pressure that came with splitting the final book of the series into two separate movies. After a game-changing introduction following newborn vampire Bella hunting both cougars and oblivious mountain climbers, the film settles in for a bloated, muddy middle act featuring the cast sitting around and waiting for the ultimate battle to come. Various half-cooked vampire allies trickle in along the way, each sporting shoddy make-up and a store-brand superpower seemingly stolen from lesser members of the X-Men. The series has never fully realized its potential when it comes to mythologizing its vampires, and this blown opportunity to expand its ranks with some cool, non-mopey badasses isn’t surprising, but it’s still disappointing.

Familiar problems still haunt the series, even with four massive blockbusters under its belt. The special effects remain frustratingly shoddy at times, such as the vampires’ super speed or the nightmare-inducing CGI baby Renesmee head stuck on a real child’s body.  The giant Quileute wolves don’t look great either, but the trade-off for that is less screen time for Lautner and the other terribly wooden actors that play human characters.

All is nearly forgiven, though, when the truly batshit climax unspools. I won’t spoil it here, but howls of laughter and gasps of horror give way to an amazingly inventive twist that, frankly, I didn’t think I’d ever see the likes of in a “Twilight” movie. Credit returning director Bill Condon and screenwriter Melissa Rosenberg since, tellingly, it’s here that the film deviates sharply from the source novel. If only that had been tried 4⅔’s movies ago.

Breaking Dawn – Part 1

November 18, 2011 by  
Filed under Reviews

Starring: Kristen Stewart, Robert Pattinson, Taylor Lautner
Directed by: Bill Condon (“Kinsey,”)
Written by:  Melissa Rosenberg (“The Twilight Saga: New Moon”)

If you’re like me, a male in his early thirties, your introduction to the “Twilight” series of books  came by way of a wife or girlfriend who became utterly obsessed with them, swooning over the overlong tales of Bella Swan, the unremarkable teenage girl everyone loves for some reason, and her romance with Edward Cullen, the handsome, eternally-teenaged vampire who falls madly in love with her, again for reasons unknown, and the love triangle it creates when Native American werewolf Jacob Black also falls in love with Bella because, hey, why not?

If your significant other was anything like my ex-girlfriend, she was so taken with these crappy novels written for teenage girls that she started to buy into the idea of epic romance and glared at you with disgust because yeah, maybe you did practical stuff for her like scrape the ice off her windshield on cold mornings, but you weren’t punching werewolves in the face to save her life like Edward was. Never mind the fact that she was damn near 30 years old, she wanted some chiseled, dangerous, sparkly-skinned creature of fantasy to profess his undying love for her, not some regular guy with oily skin.

As far as the “Twilight” movies go, the filmmakers have so far done little to attract people who weren’t already pre-disposed to liking the books (read: men).  Stocked with attractive-yet-terrible “actors” and peppered with crummy special effects, the films deviated little from the novels, content with just puking the prose onto the screen with little regard for how stupid much of it looked and sounded when performed by real human beings. Sure, the fans of the book series ate them up, making them huge hits at the box office, but none of the films have actually been any good. But at least they weren’t as skull-crushingly terrible as “The Twilight Saga: Breaking Dawn Part 1” is.

The movie opens with the cast preparing for the wedding of human teenager Bella (Kristen Stewart) to dashing vampire Edward (Robert Pattinson). Of course this angers Jacob Black (Taylor Lautner), who hilariously rips his shirt off in a rage during a rainstorm after hurling the wedding invitation to the ground. After he phases into a werewolf and runs away 15 seconds into the movie, everything grinds to a halt. In what is clearly an effort to make people pay to see another whole film next year, the decision was made to divide the final book of the series into two movies. The result is a movie that moves so slowly it threatens to go back in time.

Director Bill Condon (“Kinsey,” “Dreamgirls”) fills the first hour of the movie with narrative molasses like an interminable wedding scene that feels like it takes place in real time and a honeymoon scene that features our main characters playing chess, whereas the second hour ramps up the insanity while still moving at a snail’s pace. It’s tough to accomplish, but “Breaking Dawn Part 1” manages to make truly crazy things like life-sucking demon fetuses, arguing wolves (!),  and vampire C-sections completely and totally boring.

The title of the movie is a threat. Consider the phrase “Part 1” to be a dire warning that “Part 2” is coming.

Water for Elephants

April 30, 2011 by  
Filed under Reviews

Starring: Robert Pattinson, Reese Witherspoon, Christoph Waltz
Directed by: Francis Lawrence (“Constatine”)
Written by: Richard LaGravenese (“The Bridges of Madison County”)

While it deserves some recognition for creating a visually-pleasing spectacle (credit Oscar-nominated production designer Jack Fisk and Oscar-nominated cinematographer Rodrigo Prieto), the Depression-era melodrama “Water for Elephants” isn’t the charming phenomenon one might’ve imagined based on the popularity of the 2006 historical novel by Sara Gruen from which it’s adapted.

Instead, the film lacks the romantic luster needed between its leads to match the enchanting, saga-like feel of the time.
Brooding as boyishly as ever, Robert Pattinson (“Eclipse”) plays Jacob, a veterinary student who spontaneously hops the rails and joins a traveling circus after tragedy strikes at home. Working his way up the ranks quickly, Jacob is entrusted with the training of the titular pachyderm. His animal instincts invite conflict when he becomes smitten with the circus’ star performer Marlena (Reese Witherspoon), who’s also the wife of the heartless ringmaster August (Christoph Waltz). Waltz isn’t as cold-blooded as his Nazi character in “Inglourious Basterds,” but he still runs his circus like part of the Third Reich.

In a small but touching Gloria Stuart/”Titanic”-type cameo, veteran actor Hal Holbrook (“Into the Wild”) gives the film its most tender moments as an elderly Jacob reminiscing about his year under the Big Top.

New Moon

November 20, 2009 by  
Filed under Reviews

Starring: Robert Pattinson, Kristen Stewart, Taylor Lautner
Directed by: Chris Weitz (“The Golden Compass”)
Written by: Melissa Rosenberg (“Twilight”)

It would be easy enough to dismiss “New Moon,” the latest vampire romance of the newly dubbed “Twilight Saga,” as easily digestible hokum, but you have to at least give author Stephenie Meyer credit for finding a niche in the horror genre no one else imagined. Whether or not you’re a fan of skinny pale vampires with waxed hair, Meyer has created a brand name that has impacted pop culture tremendously over the last four years.

But as millions of twihards swarm into theaters donning their “Team Edward” and “Team Jacob” tees, most if not all go in with terrible cases of tunnel vision. Find someone with an unhealthy obsession for the “Twilight Saga” and you’ll find a devoted fan no matter how deficient the movie actually is. For anyone with a more discerning eye, it’s much easier to pinpoint all the flaws that make “New Moon” an average gothic fairy tale aimed at girly-girls not old enough to watch “True Blood” yet.

In “New Moon,” Bella Swan (Kristen Stewart) is starting her senior year in high school and still dating Edward Cullen (Rob Pattinson), the hottest blood-sucker on campus. As their relationship continues to develop, Bella can’t stop thinking of the impending future that awaits them. Someday Bella will be an old woman while the immortal Edward will forever be the hunky vampire she fell in love with.

The only solution Bella has is for Edward to turn her into a vampire so they can be together for eternity (talk about commitment!). Edward, however, isn’t enthusiastic on the idea of turning his lady love into a monster. After an unfortunate paper cut incident at Bella’s birthday party (a subtle tribute to Bela Lugosi’s “Dracula” most twihards won’t notice), the sullen Cullen decides that Bella would be much safer if he and his family left Forks, Washington never to return.

Waiting in the wings to comfort Bella during her montage of depression is the always shirtless Jacob Black (Taylor Lautner), a Native American tween who Bella turns to once Edward is gone. The love triangle becomes more complex when Bella finds out Jacob has been hiding a secret from her the entire time they’ve spent together – he’s a werewolf…and he hates vampires.

It all sounds kind of silly reading it as it probably did for Meyer when she wrote it and when screenwriter Melissa Rosenberg adapted it. The script is definitely not one of the finer features of “New Moon.” Like it predecessor, the stale dialogue spewed out by the leads can’t be ignored. When Edward tells Bella “you give me everything just by breathing,” you’ll wonder who else in the world other than Pattinson could get away with delivering such a tacky one-liner to a girl without getting laughed at.

Besides the questionable choices in romanticism, Rosenberg places entirely too much emphasis on things we already know. Edward and Bella are star-crossed lovers, so why reference “Romeo and Juliet” again and again? While it’s in Meyers’ original text, it’s a cliché choice to have included in a film already inundated with enough hamminess to fill the next two films in the series 10 times over.


November 7, 2008 by  
Filed under Reviews

Starring: Kristen Stewart, Robert Pattinson, Billy Burke
Directed by: Catherine Hardwicke (“Thirteen”)
Written by: Melissa Rosenberg (“Step Up”)

I completely understand the fascination with the “Twilight” series and I would go as far as calling author Stephenie Meyer a genius because she though of the combination of the horror/drama genre and tween demographic, which really hasn’t been tested before.

With that said, “Twilight” gets points for not falling into the clichés of its subjects like most vampire movies do. We don’t get bloody fangs, cloves of garlic, or faces melting in the sun, which is admirable. But what Meyer and screenwriter Melissa Rosenberg replace some of this universal lore with is just as hokey as zapping one of the undead with holy water or shoving a stake through their heart.

In “Twilight,” Bella Swan (Kristen Stewart) moves from Phoenix to the small town of Forks, Washington to live with her father so her mother and her minor-league-baseball-playing new husband can go on the road. While fitting into her new school and making friends isn’t too difficult for her, Bella’s love life gets a bit strange when she becomes intrigued by the mysterious Edward Cullen (Robert Pattinson), a pasty heartthrob who she later finds out is a blood-sucking vampire.

But Edwards isn’t the type of vamp that kills people for sustenance. Although he does lust for human blood, he has learned how to suppress his hunger (good for Bella) and live off the animals in the nearby forests. Knowing this, Bella is never frightened of her new love interest, but is tossed in the middle of a rivalry when a group of rogue vampires come into town and find out Edward has feelings for a mortal girl.

While the foundation of “Twilight” is a love story, there is far too much dialogue between Bella and Edward that will have young girls swooning and everyone else rolling their eyes. While I could have ignored lines like “I don’t have the strength to stay away from you” as poetry any gothic teenager would write in their high school English class, Rosenberg chose to keep pushing the schmaltziness until the relationship between the star-crossed lovers is maintained only by long glances into each others’ eyes.

Instead of telling us more about the vampire culture (which might be saved for the two sequels), Rosenberg let’s Edward say things like “Her scent is like a drug to me” and “I never knew a lion could fall in love with a lamb.” It’ll hit the demographic fine, but for everyone else the romance might stall.