The Predator

September 14, 2018 by  
Filed under Reviews

Starring: Boyd Holbrook, Olivia Munn, Sterling K. Brown
Directed by: Shane Black (“Iron Man 3,” “The Nice Guys”)
Written by: Shane Black (“Lethal Weapon”) & Fred Dekker (“The Monster Squad”)

The original “Predator” movie, released in 1987, is arguably the pinnacle of the ‘80s action movie genre. With a mix of shooting bad guys in the jungle, science fiction and pre-megastar Arnold Schwarzenegger, its no-bullshit, all-action approach makes it essential viewing. Hell, the greeting between Arnold’s Dutch and Carl Weathers’ Dillon and the “get to the choppah!” line are basically perfect. The other movies in the series, including a couple of sequels and a pair of crossovers with the “Alien” franchise, are best left unwatched.

Anyway, here we are 31 years later, and director Shane Black—who played Hawkins, the first guy the Predator killed in ’87—is at the helm of “The Predator,” a self-referential sequel that goes for laughs, but ends up with few surprises and far too many characters to remain interesting or entertaining, even with some ‘80s-level gore.

Set in a world where only the first two “Predator” movies happened, one of the dreadlocked aliens crash lands on Earth, essentially on top of sniper Quinn McKenna (Boyd Holbrook) as he’s taking out some  random bad guys in Central America. A firefight ensues with the Predator, and he’s knocked out. Quinn steals the creature’s helmet and gauntlet, which he then mails to his family for safe keeping. He then swallows (for some reason) the ball thing that allows the Predator to become invisible, which gives him the power to cloak himself. Meanwhile, a mysterious government agency led by Traeger (Sterling K. Brown, all quips and honestly lots of fun) swoops in and steals the sedated Predator away to the United States, where he calls in Casey Bracket (Olivia Munn), whose specialty is space animals because she wrote a letter to the president about it once.

Also, Quinn’s son Rory (Jacob Tremblay), who is on the spectrum, opens the box containing the Predator mask and gauntlet and somehow figures out the complex operating system and turns the helmet into a Halloween costume, possibly ushering in a “Magical autistic kid” trope in the process.

Anyway, Quinn is arrested by Traeger’s men for what he knows, and is packed onto a military prison bus with the “Loonies,” a rag-tag team of soldiers with differing levels of mental issues, including characters played by Trevante Rhodes, Keegan-Michael Key and Thomas Jane. When the Predator escapes and kills a bunch of lab techs, Quinn and the Loonies set out to kill the Predator, only to run up against an even bigger Predator.

While there are admittedly some laughs and groan-worthy meta-callbacks (“get to the choppers!” in reference to a bunch of street motorcycles on a military base, for some reason), “The Predator” is mostly a mess of goofs, gore, and muddled, incomplete character arcs. After three decades, everything new just keeps getting worse and worse in this franchise. Please, as with “Alien” and “Terminator” movies just…stop.

Ep. 80 – Neighbors 2: Sorority Rising, The Nice Guys, casting announcements for Thor: Ragnarok and Spider-Man: Homecoming, the new Star Trek Beyond trailer, and where to hear us on the radio!

May 22, 2016 by  
Filed under Podcast

[iframe style=”border:none” src=”http://html5-player.libsyn.com/embed/episode/id/4386701/height/100/width/480/thumbnail/yes/render-playlist/no/theme/standard” height=”100″ width=”480″ scrolling=”no” allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen]

This week on The CineSnob Podcast, Cody and Jerrod are as sharp as ever as they review “€œNeighbors 2: Sorority Rising”€ and “The Nice Guys.”€ They also expertly tackle new casting announcements for a pair of Marvel films, “Thor: Ragnarok”€ and “Spider-Man: Homecoming.”€ Also, they tell where you can hear more of this aural mastery on the radio!

[00:00-10:16] Intro/”RiffTrax Live: Time Chasers”€ recap

[10:16-22:41] News: casting announcements for “Thor: Ragnarok” and “€œSpider-Man: Homecoming”

[22:41-30:39] Final “€œStar Trek Beyond”€ trailer reaction

[30:39-42:16] Reviews: “€œNeighbors 2: Sorority Rising”

[42:16-53:55] “The Nice Guys”

[53:55-1:02:56] Wrap up/tease

Click here to download the episode!

Iron Man 3

May 3, 2013 by  
Filed under Jerrod, Reviews

Starring: Robert Downey Jr., Gwyneth Paltrow, Ben Kingsley
Directed by: Shane Black (“Kiss Kiss, Bang Bang”)
Written by: Shane Black (“Lethal Weapon”) and Drew Pearce (debut)

After the roaring success of “The Avengers,” the biggest question facing the Marvel cinematic universe was “What’s next?” Since 2008, with the release of the original “Iron Man” film, everything that came afterward—vehicles for Thor, Captain America, and the Hulk—was a build-up (for better or worse) to the epic team-up adventure of last summer. And boy, did it deliver, wowing critics and audiences on its way to becoming the third-highest grossing movie of all time. But after all of that (Marvel calls it Phase 1), what could they possible have in store for fans?

Marvel’s answer: go back to square one and kick off Phase 2 with “Iron Man 3.”

While the film does reference the events that took place in New York City that involved gods battling aliens, “Iron Man 3” plants its feet as a stand-alone adventure. A rattled, sleepless Tony Stark (Robert Downey Jr.) has spent every waking moment since “The Avengers” tinkering with different designs for his Iron Man suit, which are at number 42 at this point. As a result of his erratic tinkering, though, Tony’s domestic life with Pepper Potts (Gwyneth Paltrow) has begun to suffer. Enter handsome Aldrich Killian (Guy Pearce), a scientist with connections to both Tony and Pepper. He’s come peddling his highly unstable treatment for regrowing lost limbs—a treatment that may be tied to murderous terrorist the Mandarin (Ben Kingsley).

For having the unenviable task of following one of the biggest films ever, “Iron Man 3” does pretty solid work. Director/co-screenwriter Shane Black (“Kiss Kiss, Bang Bang”), stepping in for Jon Favreau, gets to stretch his legs in an adventure that’s refreshingly free of table-setting for whatever next year’s Marvel movie will be. Somewhat surprising is how little time Downey spends in the Iron Man armor, though the film’s climax more than makes up for it.

Not everything works, however, and the legacy of what came before it weighs a little too heavily on the film. Don Cheadle, returning as James Rhodes, again doesn’t get much to do. He flies around in his War Machine armor (now re-christened and repainted as the red, white, and blue Iron Patriot) for a little while busting up potential terrorist safe houses until he gets kidnapped and has the armor stolen from him like a punk. And the movie never really answers the nagging fanboy question: “Why not just call in the rest of The Avengers?” when Stark’s days get darkest. I appreciate that Tony Stark is a badass genius with incredible technology at his fingertips, but couldn’t the Hulk or Captain America or even that chump Hawkeye have chipped in to take out a goon or two?