Widows
“Regrettably, ‘Widows’ forgets that it is – first and foremost – supposed to be a believable heist flick.”
Fences
“Incredible performances, which is reason enough to forgive the film’s shortcomings.”
Suicide Squad
“[Has] an erratic tone and butchered-to-hell narrative flow…[and] feels icky with flop sweat.”
Blackhat
“Feels strangely abandoned, as if the studio didn’t bother to add any sort of polish to the final product.”
Get on Up
“A worthy journey into music history. Features a fantastic performance from a quickly rising actor.”
Prisoners
“Things get messy as the film spirals to a conclusion, but there’s no way you’re going to move unless you know how it all ends.”
The Help
“A moving and somewhat frustrating dramedy set in the midst of the simmering ’60s Civil Rights Era.”
Law Abiding Citizen
“An absurd revenge flick mismatched with psychological mayhem.”
Doubt
“Raw emotion and talent. It’s an actor’s showcase.”
Nights in Rodanthe
“Sappy exchanges and forced moments of bliss.”