“Able to sail smoothly on the natural likeability of [Michael] Cera and [Kat] Dennings.”
“A set of stories far too unbelievable to latch onto in any way.”
“Feels outdated even when it takes an Orwellian approach and adds clever twists.”
“[Director] LaBute plays it safe and turns racial tension into a sort of name calling-game on the playground.”
“A breathtaking success from a truly poetic and minimalist point of view.”
“So obvious and carelessly written, it almost emerges as a joke.”
“The Coen’s funniest film since giving us The Dude 10 years ago.”