Starring: Mark Wahlberg, Gina Rodriguez, John Malkovich
Directed by: Peter Berg (“Friday Night Lights”)
Written by: Matthew Michael Carnahan (“World War Z”) and Matthew Sand (“Ninja Assassin”)

“Deepwater Horizon,” a film that tells the heroic story of the individuals who survived a massive explosion on an offshore drilling rig in 2010, is an emotionally surface-level drama for a majority of its run time. That doesn’t mean, however, the true story isn’t compelling and executed with an effective approach by director Peter Berg (“Friday Night Lights”). Most people will know this event simply as the worst oil spill in U.S. history, but by adding a human aspect to it like Berg is able to do for the most part, the dynamic intensifies the entire narrative.

Mark Wahlberg leads the cast as Mike Williams, a veteran oil driller who helps his comrades escape the rig when catastrophe hits. Behind schedule by 43 days and budget by $50 million, the drillers are pressured by the big wigs from multimillion dollar oil company BP to get the job done as fast as possible. Mike’s supervisor Jimmy Harrell (Kurt Russell) is concerned with what he sees as cutting corners and making their work more dangerous. Of course, Jimmy’s fears are warranted when a blowout occurs forcing the drillers to find a way off the rig before it sinks.

Focused mostly on the hero of the story (but never coming off as ridiculous as Wahlberg’s other true-life survival story “Lone Survivor”) “Deepwater” stays engaging despite the lack of a real emotional hook until the very end. Kate Hudson does a fine job as Mike’s worried wife Felicia at home, and Gina Rodriguez provides some strong acting chops as the lone female on the rig. Other secondary characters, however, feel hollow, especially Dylan O’Brien’s character.  His role as a young driller on the rig feels like it was edited down to nothing. Then there’s John Malkovich, a “villainous” BP executive, whose Louisiana accent is distracting to say the least.

Although some of the characters are thinly written, the overall storytelling of “Deepwater Horizon” is done very well. This isn’t just a generic action film where Wahlberg jumps through flames (although he does jump over a fire once) and carries three men on his back to safety. Sure, sometimes films like this can fall too deep into “hero worshipping” (see the aforementioned “Lone Survivor” or something like “American Sniper”), but Wahlberg keeps everyone grounded without sacrificing the impression of true bravery.