The Death of Stalin

“Plays out like a feature-length version of Comedy Central’s ‘Drunk History,’ minus the slurred speech.”

Love, Simon

“Charming, authentic and emboldening. A milestone for mainstream gay movies.”

A Wrinkle in Time

“A convoluted fairy tale that attempts to turn its nonsensical narrative into something compelling.”

Gringo

“Definitely has a nasty streak, director but Nash Edgerton and crew fail to make it cut deep enough.”

Red Sparrow

“[It’s] deception and manipulation, even while between the thighs of J-Law, is somewhat of a dull affair.”

Game Night

“With sharp jokes, queasy-worthy violence and some nicely timed movie references, the comedy scores.'”

Fifty Shades Freed

“Anastasia might have a safe word to stop the pain, but ‘Freed’ doesn’t give audiences the same luxury.”

Early Man

“Feels like an animated movie that lost its way somewhere in the brainstorming process.”

Lady Bird

“There is life behind the universal themes Gerwig explores with her own sense of wide-eyed wonderment.”

Blade Runner 2049

“The ideas don’t necessarily feel groundbreaking, but Villeneuve’s vision is one of his best assets.”

Stronger

“A touching look at a personal fight for survival and how heroism is viewed during a national tragedy.”