Starring: Tom Cruise, Domhnall Gleeson, Sarah Wright Olsen
Directed by: Doug Liman (“Edge of Tomorrow,” “The Bourne Identity”)
Written by: Gary Spinelli (“Stash House”)
Based (somewhat loosely) on a true story, “American Made” finds Tom Cruise finally returning to the type of role that gives him some vulnerability—something which has been sorely lacking in a decade filled with high-octane “Mission: Impossible” movies, the dull “Jack Reacher” series, and this year’s dreadful reboot of “The Mummy.”
Cruise plays Barry Seal, a TWA airline pilot who, in 1978, is bored of welcoming passengers to Bakersfield and Vancouver. While in Canada, he and other pilots run a low-level smuggling ring, bringing Cuban cigars into the United States for a few extra bucks. This attracts the attention of a CIA agent named Schafer (Domhnall Gleeson) who plays into Seal’s boredom to recruit him to fly a twin-engine plane over communist training camps in Central America, snapping photos for Uncle Sam. Barry agrees, but doesn’t tell his wife Lucy (Sarah Wright Olsen), who pesters Barry for more money for their growing family. When he’s shut out of a raise by Schafer, Barry accepts an offer from the men who would become the Medellin drug cartel, led by Pablo Escobar (Mauricio Mejía) and Jorge Ochoa (Alejandro Edda), to smuggle cocaine into the United States for piles and piles of cash.
When Barry is arrested and thrown into a Colombian prison for drug smuggling, Schafer again comes to his aid with an offer: deliver guns to communist-fighting Contras in Nicaragua. Again, the cartel steps in and offers to buy the guns from Barry, who becomes obscenely wealthy from the smuggling, attracting the attention of the FBI, ATF, and several other law enforcement agencies.
Directed by Doug Liman, who previously helmed the under-appreciated (and poorly titled) Cruise sci-fi vehicle “Edge of Tomorrow,” “American Made” aspires for the breezy, comedy-drama feel of “The Wolf of Wall Street” or “The Big Short” and ends up mostly succeeding. There are times when the plot feels hacked up to get the running time just under two hours, with stunted characters like Jesse Plemons’ “look the other way” small town sheriff getting featured introductions and significant follow-up scenes only to end up with little to do afterward and the sudden fore fronting of one of Barry’s vague associates in the final act.
It’s a small quibble, really, and it doesn’t do much to detract from the enjoyment in finally seeing Tom Cruise really sink his gorgeous teeth into something for the first time since “Magnolia” or “Vanilla Sky.”