Ep. 25 – Dumb and Dumber To, Whiplash, Rosewater, Kirk Cameron’s Saving Christmas, Christoph Waltz in Bond 24, and Universal to make Monster movies without the horror

November 16, 2014 by  
Filed under Podcast

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In this week’s episode of The CineSnob Podcast, the guys from CineSnob.net review “Dumb and Dumber To,” “Whiplash,” “Rosewater,” and Kirk Cameron’s “Saving Christmas.” They also unveil their new intro and discuss the recent casting of Christoph Waltz as a Bond villain and Universal Pictures stripping away the horror elements of their monster movie universe.

[0:00-5:45] Brand new intro, breakfast talk & cough medicine
[5:45-13:24] Christoph Waltz in Bond 24
[13:24-23:44] Universal’s new monster film universe won’t be considered “horror” movies
[23:44-41:19] Dumb and Dumber To
[41:19-54:42] Whiplash
[54:42-1:05:44] Rosewater
[1:05:44-1:21:54] Kirk Cameron’s Saving Christmas
[1:21:54-1:24:10] Teases for next week and close

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Kirk Cameron – Saving Christmas

November 15, 2014 by  
Filed under Interviews

Although his new film “Saving Christmas” is being marketed as a battle against the supposed War on Christmas in the U.S., actor and evangelical Christian Kirk Cameron actually has something to say to his fellow churchgoers instead of merely proselytizing to non-believers like he’s done in past films. Delivering a different type of sermon in “Saving Christmas,” Cameron, best known for his roles in the 80s TV show “Growing Pains” and in the “Left Behind” film franchise, explains why Christians should embrace many of the Christmas icons, including Santa Claus and Christmas trees and gifts, that some people feel diminish the true meaning of the season. Cameron says many of these holiday symbols can be traced back to religious foundations.

During a short interview with Cameron via phone last week, I talked to him about whether or not he really feels there is a War on Christmas in this country and if he thinks God can speak to people through TV shows like “Duck Dynasty.” Unfortunately, with only eight minutes for the interview, there wasn’t much time to challenge many of his beliefs with follow-up questions.

I think some people might be surprised when they find out the intentions of this film. “Saving Christmas” sounds like you’re arguing against the commercialization of the holiday, but you’re actually defending things like Santa Claus and Christmas trees. Why did you decide to take this approach?

Christmas is my favorite holiday. It’s my favorite time of year. It’s that time of year where people are a little bit more kind, generous and compassionate. Donations go up all over the world for different charities. It’s great. There is something in the air. It’s almost magical. I think it’s because we know something really important happened. Something happened 2,014 years ago that split time in two. That was the birth of one person (Jesus Christ). That’s what we celebrate at Christmas time. I don’t want anything to dampen or muffle that. I want people to sing and laugh and be filled with joy. That’s why I made “Saving Christmas.”

Are there still elements of the way Christmas is celebrated today by the mainstream that you hope would go away? I mean, were there any other issues you researched that didn’t have the roots you were looking for?

Of course, there are things that people do every single day of the year that are not good ideas. At Christmas time, that really is no different. Christmas, of course, is about the birth of a baby in a manger and who he is and what that means to us. Christmas can be overshadowed by your gingerbread cookies and all the presents and a sense of religious superstition that if I have a Christmas tree somehow I’m doing a bad thing. It can be overshadowed by Santa Claus or we can talk to our kids about how Santa Claus, St. Nicholas, was an amazing man who knew exactly what Christmas was all about. In fact, he defended it by putting his life on the line. “Saving Christmas” really helps people understand how all of these celebrations and traditions are not only good, but they point us to the very reason for the season if you look at them with the right set of glasses.

Where does Catholicism come into play in this story for you? St. Nicholas is someone you defend in the film and the legendary status he has gained over the years, but you don’t mention his Catholic roots. Why?

You have to remember that back in the days of 325 A.D…we had a universal church. Whether you are Catholic or Protestant or whatever it is, the true issue is genuine faith. Anybody can go to church and put a sticker on themselves and say I’m this or that, but genuine faith in the Lord Jesus is what we’re talking about. Clearly, this man Nicholas was a man of genuine faith. He defended some of the key things we now have. That’s what I want people to think about this Christmas. It should bring joy to you and your family.

Do you really think there is a War on Christmas? Do you take issue with someone saying “Happy Holidays” instead of “Merry Christmas” or fighting to remove nativity scenes in public places?

Here’s an interesting story: A couple of days after the website for “Saving Christmas” went online, it got hijacked by an anti-Christmas group out of Turkey of all places. They put up all kinds of things to try to just obliterate Christmas and its meaning. Of course there is a lot of antagonism towards Christmas. Christmas is the foundation for our country. It’s the foundation in the way, historically, we see family and faith. Christmas is so important. We should never let it be damaged or restrained or hijacked. We need to amplify it and sing Christmas carols from our rooftops.

You’ve never back down from a challenge to debate somebody whose beliefs are on the opposite end of the spectrum as yours, including agnostics and atheists. I’m assuming 10 times out of 10 no one’s mind is changed, so why bother? What do you get out of it?

I don’t think that’s true. I don’t think that 10 times out of 10 minds aren’t changed. People want to hear good sound arguments. Many people want to understand truth and will change their mind if they hear it.

Here in Texas, newly-elected Lieutenant Governor Dan Patrick has said that God can speak to the masses through pop culture in TV shows like “Duck Dynasty,” a show whose cast I’m sure you know supports your new film. Do you believe that God can speak to people through TV shows like “Duck Dynasty?”

It’s so confusing for so many people in terms of hearing God’s voice because people claim to be speaking for him these days and these voices seem to contradict one another. What I can tell you is I went to go visit the “Duck Dynasty” family. They are some of the most genuine, authentic people I ever met. Sometimes I wonder if they even realize they are on a TV show because what you see is what you get. That’s just who they are. They’re living out their lives. A lot of people really relate to them. I’ve been a big fan because of their authenticity.

Saving Christmas

November 14, 2014 by  
Filed under Jerrod, Reviews

Starring: Kirk Cameron, Darren Doane, Bridgette Cameron
Directed by: Darren Doane (“42K”)
Written by: Darren Doane (“42K”) and Cheston Harvey (debut)

Kirk Cameron has an agenda, and it might not be what you think it is. Sure, the former teen heartthrob from TV’s “Growing Pains” is an outspoken evangelical Christian, therefore you might think Cameron’s goal is proselytize, using his one-time super fame as leverage, which he does plenty of. And before you demonize me, don’t think I’m dismissing the man’s religious convictions. I do not share his beliefs, but mostly I just don’t have a horse in the race.  No, Kirk Cameron’s real agenda is lighting a fire under his fellow evangelical Christians, convincing them that their faith is somehow under attack at all times, be it from within from Christians losing their way or (especially) from the outside, via the entirely fabricated nonsense like the “War on Christmas.” Business is booming for faith-based entertainment, and nothing gets Christian fannies in the seats better than alleging you’re offering something that reaffirms the beliefs they already hold that supposedly the people in charge don’t want you to see. Cameron’s true agenda is to make sure the artificial wedge between Christians and the bogeyman liberal agenda PC police stays firmly in place so he can continue wringing money out of that market.

All promotional material for “Kirk Cameron’s Saving Christmas” heavily implied another straw man take on the “War on Christmas,” with Cameron swooping in to save the holiday from those who seek to remove all things Christ from the nation’s by far most popular holiday. Cameron repeats this message in a tacked-on prologue before the movie starts again to feature none of that, instead focusing on a fictionalized Cameron family Christmas party being held at Kirk’s sister’s house. Ever the master of ceremonies, Kirk realizes during the merriment of passing out punch that the man of the house, Christian (director Darren Doane), is nowhere to be found. When Cameron asks his sister (real-life sister Bridgette Cameron) about Christian’s absence, she lets him know that all the modern aspects of Christmas today have Christian feeling down and convinced that this just isn’t the way to be celebrating the birth of Christ. Enter Kirk Cameron to lecture Christian (get it?) on how every aspect of Christmas—even Santa Claus—is connected to Christ in some fashion.

Let me reiterate: I don’t have any problem with the message here. If one Christian wants to educate another Christian on the biblical significance of everything from the Christmas tree to wrapped presents being representative of the skyline of New Jerusalem, I don’t have a problem with that (sure, I’m a little miffed at the straw man bait-and-switch, but I’ll live), but certainly even the most faithful of Christians will have to recognize how agonizingly padded and slow this movie is. Cameron and Doane interact with little editing, with every syllable and pause in their back and forth testing patience at every turn. Random comic relief pops up between two bit players who rattle off conspiracy theories for a few minutes, then disappear so the lecture can continue. There is what must be a 7-minute dance sequence wherein the whole party takes turns break-dancing in front of a Christmas tree, and there are 10 minutes of credits stuffed with outtakes and bloopers that just barely stretch the runtime to an hour and 20 minutes. Considering there is maybe 30 minutes of actual material throughout, it’ll be a Christmas miracle if anyone leaves this movie satisfied.