June 23, 2017 by  

Transformers: The Last Knight


Transformers: The Last Knight

Josh Duhamel comes face to face with Megatron in "Transformers: The Last Knight."

Starring: Mark Wahlberg, Anthony Hopkins, Laura Haddock Directed by: Michael Bay (“Transformers: Age of Extinction”) Written by: Art Marcum (“Iron Man”) & Matt Holloway (“Iron Man”) & Ken Nolan (“Black Hawk Down”) Every now and then, I take stock of all the entertainment properties I enjoyed as a child—or still enjoy screen-printed on a t-shirt—that are being made into well-meaning, if not always good, major motion pictures. All the Marvel stuff, some of the DC Comics stuff, Star Wars…it’s a fine time at the movies to be a fan of the geekier stuff. But then there’s Transformers. It just…it breaks my heart. We have well-made, coherent films where utterly ridiculous characters like Ant-Man and Rocket Raccoon are treated with respect and written as real characters. Meanwhile, five films into Michael Bay’s “Transformers” series, every other fucking robot is either a racist stereotype, spends half their screen time robo-farting or some other bullshit. They even got original cartoon voice actor Peter Cullen to voice Optimus Prime, and seemingly half of his lines in the latest film, “Transformers: The Last Knight” are “I am Optimus Prime!” And I love Optimus Prime. “The Last Knight” opens in the days of King Arthur, where a drunken Merlin (Stanley Tucci!) begs a Transformer (they’ve been here the whole time!) for help in defeating a horde of invaders. He’s given a staff, which calls upon a metal dragon. Flash forward 1,600 years and, in accordance with the rest of this series, the movie picks and chooses which plot points from the previous four films to either embrace or outright ignore. Anyway, this time Chicago stays destroyed after the events of “Age of Extinction,” and the ruins are patrolled by the Transformers Response Force, since Transformers are now illegal. A young girl (Isabella Moner) is saved by Cade Yaeger (Mark Wahlberg) after a drone strike kills her Autobot pal. She stows away with him back to his junkyard in South Dakota, where a bunch of annoying Autobots, including Bumblebee and Grimlock, hang out. Meanwhile Optimus Prime continues his journey into deep space to confront his maker, Quintessa, to tell her to leave Earth alone. Like a chump, he immediately fucks that up and is brainwashed into becoming Nemesis Prime, now assisting Quintessa in her plan to bring Cybertron to Earth, which is actually Unicron (see the animated “Transformers: The Movie” from 1986) in order to revive Cybertron. The only thing that can stop this plan is the staff of Merlin, which can only be wielded by his last living ancestor, Vivian Wembley (Laura Haddock), and she’s being sought by Sir Emund Burton (Anthony Hopkins) and his psychotic robot butler Cogman, the last guard of the Witwiccans (UGH), a brotherhood of humans who have worked alongside Transformers for centuries—you know, because they were here all along. And that’s not even half of the junk shoved into this movie, which is bursting at the seams with so much utter bullshit you won’t even have time to catch your breath—dinosaur Transformers barfing up cars, horns emerging from the earth, a manservant droid shooting himself out of a torpedo tube to catch some fish for a pair of humans on a submarine OH MY GOD WHAT THE FUCK IS HAPPENING? If there are some redeeming factors in this garbage fire is that “The Last Knight” is not quite as blatantly racist and sexist as the previous entries, and it’s not quite as punishingly long. Otherwise…I just can’t deal with these anymore.

Grade: D

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