Starring: James McAvoy, Michael Fassbender, Oscar Isaac
Directed by: Bryan Singer (“X-Men: Days of Future Past,” “X2”)
Written by: Simon Kinberg (“X-Men: Days of Future Past,” “Fantastic Four”)
When we last left the X-Men movie franchise proper, Hugh Jackman’s Wolverine – forever the series’ MVP – had traveled back in time in “Days of Future Past” to undo some stuff that had been done in both the movie’s universe and the real world. “DoFP” brought together the differing timelines and actors, erased little-loved entries like “X-Men: The Last Stand” and “X-Men Origins: Wolverine,” and absolutely destroyed any sense of a coherent timeline, which “Deadpool” took a jab at earlier this year. The longest-running comic book movie series was reinvigorated and, 16 years after we first met the cinematic mutants, most of them are back (played by younger actors) in “X-Men: Apocalypse.”
This time around, Professor Charles Xavier (James McAvoy) and his team of mutants, including Hank McCoy (Nicolas Hoult), Jean Grey (Sophie Turner) and Scott Summers (Tye Sheridan), are pitted against the first and most powerful mutant ever, Apocalypse (Oscar Issac). After being buried under a pyramid for 5,000 years, Apocalypse is awakened in part by the bumbling of CIA agent Moira Mactaggert (Rose Byrne) that allows sunlight to activate his golden power pyramid, or something. Anyway, Apocalypse gathers his four horsemen, including Storm (Alexandra Shipp), Angel (Ben Hardy), Psylocke (Olivia Munn) and Magneto (Michael Fassbender) to rid the world of humanity and rule whoever is left. Also in the mix is Raven (Jennifer Lawrence) and her crusade to free persecuted mutants around the world, pulling Nightcrawler (Kodi Smit-McPhee) from the clutches of an underground fighting ring. Oh, and don’t forget returning fan-favorite Quicksilver (Evan Peters) and an extended cameo featuring a berserk, metal-clawed hero we’re all too familiar with.
With so many new (well, new-ish) characters to introduce alongside the old ones, director Bryan Singer often leaves the narrative momentum of “X-Men: Apocalypse” standing around and waiting while different cast members are dropped in on. Fassbender’s time as a Magneto/Erik gone straight with a wife and young daughter is the most compelling plot line in the movie, but Singer and screenwriter Kinberg keep yanking us away to check in on boring stuff like Xavier and McCoy visiting Mactaggert at the CIA to remind us of a long-forgotten plotline that had Charles erase Moira’s memory at the end of “X-Men: First Class.” In another bright spot, Evan Peter’s Quicksilver gets a stand-out slow-motion sequence in the movie, this time set to the Eurythmic’s “Sweet Dreams (Are Made of This)” along with some more screen time. But Lawrence’s plot line feels tacked on and unnecessary, the result of the producers trying to come up with something interesting for the megastar who they signed to a contract before her fame went supernova.
And for a being with god-like power, Isaac’s Apocalypse sure does a lot of pointless dicking around in his quest to take over the world, perched atop a pyramid for what seems like 20 minutes making a new helmet for Magneto out of sand while the plot spins around to everyone else in the cast. Even what should have been a quick cameo by the so-called Weapon X drags on minutes too long, and, like the rest of the movie, ends up feeling like nothing more than table-setting for whatever is next. Fox had righted the X-franchise ship, so let’s hope this crummy mutation doesn’t affect the series again.